The Works of Edgar Allan Poe — Volume 5 — John Shaqi
The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
The gamblers, of whom I descried not a few, were still more easily
recognisable. They wore every variety of dress, from that of the
desperate thimble-rig bully, with velvet waistcoat, fancy neckerchief,
gilt chains, and filagreed buttons, to that of the scrupulously inornate
clergyman, than which nothing could be less liable to suspicion. Still
all were distinguished by a certain sodden swarthiness of complexion, a
filmy dimness of eye, and pallor and compression of lip. There were two
other traits, moreover, by which I could always detect them: a guarded
lowness of tone in conversation, and a more than ordinary extension of
the thumb in a direction at right angles with the fingers. Very often, in
company with these sharpers, I observed an order of men somewhat
different in habits, but still birds of a kindred feather. They may be
defined as the gentlemen who live by their wits. They seem to prey upon
the public in two battalions—that of the dandies and that of the
military men. Of the first grade the leading features are long locks and
smiles; of the second, frogged coats and frowns.
Descending in the scale of what is termed gentility, I found darker and
deeper themes for speculation. I saw Jew pedlars, with hawk eyes flashing
from countenances whose every other feature wore only an expression of
abject humility; sturdy professional street beggars scowling upon
mendicants of a better stamp, whom despair alone had driven forth into the
night for charity; feeble and ghastly invalids, upon whom death had placed
a sure hand, and who sidled and tottered through the mob, looking every
one beseechingly in the face, as if in search of some chance consolation,
some lost hope; modest young girls returning from long and late labor to a
cheerless home, and shrinking more tearfully than indignantly from the
glances of ruffians, whose direct contact, even, could not be avoided;
women of the town of all kinds and of all ages—the unequivocal
beauty in the prime of her womanhood, putting one in mind of the statue in
Lucian, with the surface of Parian marble, and the interior filled with
filth—the loathsome and utterly lost leper in rags—the
wrinkled, bejewelled and paint-begrimed beldame, making a last effort at
youth—the mere child of immature form, yet, from long association,
an adept in the dreadful coquetries of her trade, and burning with a rabid
ambition to be ranked the equal of her elders in vice; drunkards
innumerable and indescribable—some in shreds and patches, reeling,
inarticulate, with bruised visage and lack-lustre eyes—some in whole
although filthy garments, with a slightly unsteady swagger, thick sensual
lips, and hearty-looking rubicund faces—others clothed in materials
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