The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
The rage for _glitter-_because its idea has become as we before
observed, confounded with that of magnificence in the abstract—has
led us, also, to the exaggerated employment of mirrors. We line our
dwellings with great British plates, and then imagine we have done a fine
thing. Now the slightest thought will be sufficient to convince any one
who has an eye at all, of the ill effect of numerous looking-glasses, and
especially of large ones. Regarded apart from its reflection, the mirror
presents a continuous, flat, colourless, unrelieved surface,—a thing
always and obviously unpleasant. Considered as a reflector, it is potent
in producing a monstrous and odious uniformity: and the evil is here
aggravated, not in merely direct proportion with the augmentation of its
sources, but in a ratio constantly increasing. In fact, a room with four
or five mirrors arranged at random, is, for all purposes of artistic show,
a room of no shape at all. If we add to this evil, the attendant glitter
upon glitter, we have a perfect farrago of discordant and displeasing
effects. The veriest bumpkin, on entering an apartment so bedizzened,
would be instantly aware of something wrong, although he might be
altogether unable to assign a cause for his dissatisfaction. But let the
same person be led into a room tastefully furnished, and he would be
startled into an exclamation of pleasure and surprise.
It is an evil growing out of our republican institutions, that here a man
of large purse has usually a very little soul which he keeps in it. The
corruption of taste is a portion or a pendant of the dollar-manufacture.
As we grow rich, our ideas grow rusty. It is, therefore, not among _our
_aristocracy that we must look (if at all, in Appallachia), for the
spirituality of a British _boudoir. _But we have seen apartments in
the tenure of Americans of moderns [possibly “modest” or “moderate”]
means, which, in negative merit at least, might vie with any of the _or-molu’d
_cabinets of our friends across the water. Even _now_, there is
present to our mind’s eye a small and not, ostentatious chamber with whose
decorations no fault can be found. The proprietor lies asleep on a sofa—the
weather is cool—the time is near midnight: we will make a sketch of
the room during his slumber.
Public-domain text, read in full here on John Shaqi.
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