The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
It was in no placid temper, I say, that the metaphysician drew up his
chair to its customary station by the hearth. Many circumstances of a
perplexing nature had occurred during the day, to disturb the serenity of
his meditations. In attempting _des oeufs à la Princesse_, he had
unfortunately perpetrated an _omelette à la Reine;_ the discovery of a
principle in ethics had been frustrated by the overturning of a stew; and
last, not least, he had been thwarted in one of those admirable bargains
which he at all times took such especial delight in bringing to a
successful termination. But in the chafing of his mind at these
unaccountable vicissitudes, there did not fail to be mingled some degree
of that nervous anxiety which the fury of a boisterous night is so well
calculated to produce. Whistling to his more immediate vicinity the large
black water-dog we have spoken of before, and settling himself uneasily in
his chair, he could not help casting a wary and unquiet eye toward those
distant recesses of the apartment whose inexorable shadows not even the
red firelight itself could more than partially succeed in overcoming.
Having completed a scrutiny whose exact purpose was perhaps unintelligible
to himself, he drew close to his seat a small table covered with books and
papers, and soon became absorbed in the task of retouching a voluminous
manuscript, intended for publication on the morrow.
He had been thus occupied for some minutes when “I am in no hurry,
Monsieur Bon-Bon,” suddenly whispered a whining voice in the apartment.
“The devil!” ejaculated our hero, starting to his feet, overturning the
table at his side, and staring around him in astonishment.
“Very true,” calmly replied the voice.
“Very true!—what is very true?—how came you here?” vociferated
the metaphysician, as his eye fell upon something which lay stretched at
full length upon the bed.
“I was saying,” said the intruder, without attending to the
interrogatives,—“I was saying that I am not at all pushed for time—that
the business upon which I took the liberty of calling, is of no pressing
importance—in short, that I can very well wait until you have
finished your Exposition.”
“My Exposition!—there now!—how do you know?—how came you
to understand that I was writing an Exposition?—good God!”
“Hush!” replied the figure, in a shrill undertone; and, arising quickly
from the bed, he made a single step toward our hero, while an iron lamp
that depended over-head swung convulsively back from his approach.
Public-domain text, read in full here on John Shaqi.
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