The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
The philosopher’s amazement did not prevent a narrow scrutiny of the
stranger’s dress and appearance. The outlines of his figure, exceedingly
lean, but much above the common height, were rendered minutely distinct,
by means of a faded suit of black cloth which fitted tight to the skin,
but was otherwise cut very much in the style of a century ago. These
garments had evidently been intended for a much shorter person than their
present owner. His ankles and wrists were left naked for several inches.
In his shoes, however, a pair of very brilliant buckles gave the lie to
the extreme poverty implied by the other portions of his dress. His head
was bare, and entirely bald, with the exception of a hinder part, from
which depended a queue of considerable length. A pair of green spectacles,
with side glasses, protected his eyes from the influence of the light, and
at the same time prevented our hero from ascertaining either their color
or their conformation. About the entire person there was no evidence of a
shirt, but a white cravat, of filthy appearance, was tied with extreme
precision around the throat and the ends hanging down formally side by
side gave (although I dare say unintentionally) the idea of an
ecclesiastic. Indeed, many other points both in his appearance and
demeanor might have very well sustained a conception of that nature. Over
his left ear, he carried, after the fashion of a modern clerk, an
instrument resembling the stylus of the ancients. In a breast-pocket of
his coat appeared conspicuously a small black volume fastened with clasps
of steel. This book, whether accidentally or not, was so turned outwardly
from the person as to discover the words “Rituel Catholique” in white
letters upon the back. His entire physiognomy was interestingly saturnine—even
cadaverously pale. The forehead was lofty, and deeply furrowed with the
ridges of contemplation. The corners of the mouth were drawn down into an
expression of the most submissive humility. There was also a clasping of
the hands, as he stepped toward our hero—a deep sigh—and
altogether a look of such utter sanctity as could not have failed to be
unequivocally preposessing. Every shadow of anger faded from the
countenance of the metaphysician, as, having completed a satisfactory
survey of his visitor’s person, he shook him cordially by the hand, and
conducted him to a seat.
Public-domain text, read in full here on John Shaqi.
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