The Works of Edgar Allan Poe — Volume 5Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 5
Poe, Edgar Allan
American fiction -- 19th century; American poetry; Fantasy fiction; Horror tales, American
There would however be a radical error in attributing this instantaneous
transition of feeling in the philosopher, to any one of those causes which
might naturally be supposed to have had an influence. Indeed, Pierre
Bon-Bon, from what I have been able to understand of his disposition, was
of all men the least likely to be imposed upon by any speciousness of
exterior deportment. It was impossible that so accurate an observer of men
and things should have failed to discover, upon the moment, the real
character of the personage who had thus intruded upon his hospitality. To
say no more, the conformation of his visitor’s feet was sufficiently
remarkable—he maintained lightly upon his head an inordinately tall
hat—there was a tremulous swelling about the hinder part of his
breeches—and the vibration of his coat tail was a palpable fact.
Judge, then, with what feelings of satisfaction our hero found himself
thrown thus at once into the society of a person for whom he had at all
times entertained the most unqualified respect. He was, however, too much
of the diplomatist to let escape him any intimation of his suspicions in
regard to the true state of affairs. It was not his cue to appear at all
conscious of the high honor he thus unexpectedly enjoyed; but, by leading
his guest into the conversation, to elicit some important ethical ideas,
which might, in obtaining a place in his contemplated publication,
enlighten the human race, and at the same time immortalize himself—ideas
which, I should have added, his visitor’s great age, and well-known
proficiency in the science of morals, might very well have enabled him to
afford.
Actuated by these enlightened views, our hero bade the gentleman sit down,
while he himself took occasion to throw some fagots upon the fire, and
place upon the now re-established table some bottles of _Mousseux_. Having
quickly completed these operations, he drew his chair _vis-à-vis_ to his
companion’s, and waited until the latter should open the conversation. But
plans even the most skilfully matured are often thwarted in the outset of
their application—and the _restaurateur_ found himself _nonplussed_ by
the very first words of his visitor’s speech.
“I see you know me, Bon-Bon,” said he; “ha! ha! ha!—he! he! he!—hi!
hi! hi!—ho! ho! ho!—hu! hu! hu!”—and the devil, dropping
at once the sanctity of his demeanor, opened to its fullest extent a mouth
from ear to ear, so as to display a set of jagged and fang-like teeth,
and, throwing back his head, laughed long, loudly, wickedly, and
uproariously, while the black dog, crouching down upon his haunches,
joined lustily in the chorus, and the tabby cat, flying off at a tangent,
stood up on end, and shrieked in the farthest corner of the apartment.
Public-domain text, read in full here on John Shaqi.
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