English literature -- Scottish authors; Scottish literature
I had been spending some weeks with Alasdair McIan and his wife Silis
(who was my foster-sister), at their farm of Ardoch, high in a remote
hill country. One night we were sitting before the peats, listening to
the wind crying amid the corries, though, ominously as it seemed to us,
there was not a breath in the rowan-tree that grew in the sun's way by
the house. Silis had been singing, but silence had come upon us. In the
warm glow from the fire we saw each other's faces. There the silence
lay, strangely still and beautiful, as snow in moonlight. Silis's song
was one of the _Dana Spioradail_, known in Gaelic as the Hymn of the
Looms. I cannot recall it, nor have I ever heard or in any way
encountered it again.
It had a lovely refrain, I know not whether its own or added by Silis. I
have heard her chant it to other runes and songs. Now, when too late, my
regret is deep that I did not take from her lips more of those
sorrowful, strange songs or chants, with their ancient Celtic melodies,
so full of haunting sweet melancholy, which she loved so well. It was
with this refrain that, after a long stillness, she startled us that
October night. I remember the sudden light in the eyes of Alasdair
McIan, and the beat at my heart, when, like rain in a wood, her voice
fell unawares upon us out of the silence:
_Oh! oh! ohrone, arone! Oh! oh! mo ghraidh, mo chridhe!
Oh! oh! mo ghraidh, mo chridhe!_[10]
The wail, and the sudden break in the second line, had always upon me an
effect of inexpressible pathos. Often that sad wind-song has been in my
ears, when I have been thinking of many things that are passed and are
passing.
I know not what made Silis so abruptly begin to sing, and with that
wailing couplet only, or why she lapsed at once into silence again.
Indeed, my remembrance of the incident at all is due to the circumstance
that shortly after Silis had turned her face to the peats again, a knock
came to the door, and then Seumas Dhu entered.
"Why do you sing that lament, Silis, sister of my father?" he asked,
after he had seated himself beside me, and spread his thin hands against
the peat glow, so that the flame seemed to enter within the flesh.
Silis turned to her nephew, and looked at him, as I thought,
questioningly. But she did not speak. He, too, said nothing more, either
forgetful of his question, or content with what he had learned or
failed to learn through her silence.
The wind had come down from the corries before Seumas rose to go. He
said he was not returning to Alltnalee, but was going upon the hill, for
a big herd of deer had come over the ridge of Mel Mòr. Seumas, though
skilled in all hill and forest craft, was not a sure shot, as was his
kinsman and my host, Alasdair McIan.
"You will need help," I remember Alasdair Ardoch saying mockingly,
adding, "_Co dhiubh is fhearr let mise thoir sealladh na fàileadh
dhiubh?_"--that is to say, Whether would you rather me to deprive them
of sight or smell?
Public-domain text, read in full here on John Shaqi.
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