The Works of "Fiona Macleod", Volume IV — John Shaqi
The Works of "Fiona Macleod", Volume IV
Philosophy
The Works of "Fiona Macleod", Volume IV
English literature -- Scottish authors; Scottish literature
The soft playing stole into the house as though it were the cool
sea-wind, as though it were the flowing dusk. Beautiful, unfamiliar
sounds, and sudden silences passing sweet, filled the rooms. The last
guests left hurriedly, hushed, strangely disquieted. The dwellers in the
farmstead furtively bade good-night, and slipt away.
For an hour, till the sinking of the moon, the Soul played. He played
the Song of Dreams, the Song of Peace, the three Songs of Mystery. The
evil that was in the house ebbed. Everywhere, at his playing, the
secret obscure life awoke. Nimble aerial creatures swung, invisibly
passive, in the quiet dark. From the brown earth, from hidden
sanctuaries in rocks and trees, green and grey lives slid, and stood
intent. Out of the hillside came those of old. There were many eager
voices, like leaves lapping in a wind. The wild-fox lay down, with red
tongue lolling idly: the stag rose from the fern, with dilated nostrils;
the night-jar ceased, the corncrake ceased, the moon-wakeful thrushes
made no single thrilling note. The silence deepened. Sleep came stealing
softly out of the obscure, swimming dusk. There was not a swaying reed,
a moving leaf. The strange company of shadows stood breathless. Among
the tree-tops the loosened stars shone terribly--lonely fires of
silence.
The Soul played. Once he thought of the stone-breaker. He played into
his heart. The man stirred, and tears oozed between his heavy lids. It
was his mother's voice that he heard, singing-low a cradle-sweet song,
and putting back her white hair that she might look earthward to her
love. "Grey sweetheart, grey sweetheart," he moaned. Then his heart
lightened, and a moonlight of peace hallowed that solitary waste place.
Again, at the last, the Soul thought of his comrade, heavy with wine in
the room overhead, drunken with desire. And to him he played the
imperishable beauty of Beauty, the Immortal Love, so that, afterwards,
he should remember the glory rather than the shame of his poor frailty.
What he played to the girl's heart only those women know who hear the
whispering words of Mary the Mother in sleep, when a second life
breathes beneath each breath.
When he ceased, deep slumber was a balm upon all. He fell upon his knees
and prayed.
"Beauty of all Beauty," he prayed, "let none perish without thee."
It was thus that we three, who were one, realised how Prayer and Hope
and Peace, how Dream and Rest and Longing, how Laughter and Wine and
Love, are in truth but shadowy analogues of the Heart's Desire.
V
At dawn we woke. A movement of gladness was in the lovely tides of
morning--delicate green, and blue, and gold. The spires of the grasses
were washed in dew; the innumerous was as one green flower that had lain
all night in the moonshine.
We had agreed to meet at the bridge over the stream where it lapsed
through gravelly beaches just beyond the little town.
Public-domain text, read in full here on John Shaqi.
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