English literature -- Scottish authors; Scottish literature
The fascination of this legendary history is in its contrast of the
barbaric and the spiritual. Since I was a child I have been held
spellbound by this singular union. To see the Virgin Mary in the sombre
and terrible figure of the Washer of the Ford, or spiritual destiny in
that of the Woman with the Net, was natural: as to believe that the
same Columba could be as tender as St. Bride or gentle as St. Francis,
and yet could thrust the living Oran back into his grave, or prophesy,
as though himself a believer in the druidic wisdom, by the barking of a
favourite hound that had a white spot on his forehead--_Donnalaich chon
chinain_.
Of this characteristic blending of pagan and Christian thought and
legend I have tried elsewhere to convey some sense--oftener, perhaps,
have instinctively expressed: and here, as they are apposite to Iona, I
would like to select some pages as representative of three
phases--namely, of the barbaric history of Iona, of the primitive
spiritual history which is so childlike in its simplicity, and of that
direct grafting of Christian thought and imagery upon pagan thought and
imagery which at one time, and doubtless for many generations (for it
still survives), was a normal unconscious method. Some five years ago I
wrote three short Columban stories, collectively called _The Three
Marvels of Iona_, one named "The Festival of the Birds," another "The
Sabbath of the Fishes and the Flies," and the third "The Moon-Child." It
is the second of these that, somewhat altered to its present use by
running into it part of another Columban tale, I add now.
Before dawn, on the morning of the hundredth Sabbath after Colum the
White had made glory to God in Hy, that was theretofore called Ioua, or
the Druid Isle, and is now Iona, the saint beheld his own sleep in a
vision.
Much fasting and long pondering over the missals, with their golden and
azure and sea-green initials and earth-brown branching letters, had made
Colum weary. He had brooded much of late upon the mystery of the living
world that was not man's world.
On the eve of that hundredth Sabbath, which was to be a holy festival in
Iona, he had talked long with an ancient greybeard out of a remote isle
in the north, the wild Isle of the Mountains, where Scathach the queen
hanged the men of Lochlin by their yellow hair.
This man's name was Ardan, and he was of the ancient people. He had come
to Iona because of two things. Maolmòr, the king of the northern Picts,
had sent him to learn of Colum what was this god-teaching he had brought
out of Eiré: and for himself he had come when old age was upon him, to
see what manner of man this Colum was, who had made Ioua, that was
"Innis-nan-Dhruidhnean"--the Isle of the Druids--into a place of new
worship.
For three hours Ardan and Colum had walked by the sea-shore. Each
learned of the other. Ardan bowed his head before the wisdom. Colum knew
in his heart that the Druid saw mysteries.
In the first hour they talked of God.
Public-domain text, read in full here on John Shaqi.
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