The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the AuthorVega, Garcilaso de la
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The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the Author
Vega, Garcilaso de la
Spanish poetry -- 16th century -- Translations into English; Spanish poetry -- History and criticism
Whoever looks in the old _Cancioneros_ for a poetry constantly animated,
interesting, and agreeable, will be disappointed. After perusing one or
two pieces, wherein indulgence towards the writer supplies their
frequent want of merit, the book drops from our hands, and we have
little inclination to stoop to resume it. It is true that we often meet
with an ingenious thought, an apposite image, and a stanza well
constructed; but it is equally true, that we stumble, at the same
instant, upon ideas puerile, mean, and trivial, upon uncouth verses, and
indeterminate rhymes. The writer is seen to struggle with the rudeness
of the language, as well as with the heaviness of the versification,
and, in spite of all the efforts he makes, entirely overcome by the
difficulty, he neither strikes out true expression nor elegant harmony.
They knew, and they handled Virgil, Horace, Ovid, Lucan, and other
ancient poets; but if occasionally they subjected them to their service
with propriety, they more frequently drew from those sources incoherent
allusions, and a learning that degenerated into inapposite and puerile
pedantry.[E] They did not succeed in imitating either the simplicity of
their plans, or the admirable art with which, in their compositions,
they knew how to unfold a thought with vigour, and to sustain and
graduate the effect from first to last. Finally,--their verses, though
more tolerable than those of a more ancient period, have the great
disadvantage of monotony, and inability to accommodate themselves to the
variety, elevation, and grandeur which the poetic period ought to
possess in correspondence with the images, affections, and sentiments it
developes.
FOOTNOTES:
[Footnote C:
"Again and yet again do I deplore
This injury; dissatisfied Castile
Has lost a treasure, whose rare worth, I feel,
The thoughtless nation never knew before.
She lost thy books, all unappreciated!
In funeral expiation some were thrown
To the devouring flames, and others strewn
About, in ruinous disorder spread.
Surely, in Athens, the false books of fled
Protagoras, esteemed so reprobate,
Were to the fire consigned with greater state,
When to the angry Senate they were read."]
Public-domain text, read in full here on John Shaqi.
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