The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the AuthorVega, Garcilaso de la
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The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the Author
Vega, Garcilaso de la
Spanish poetry -- 16th century -- Translations into English; Spanish poetry -- History and criticism
But the man who received from nature the most poetical endowments, and
who most abused them, was, without doubt, Lope de Vega. The gift of
writing his language with purity, elegance, and the deepest clearness;
the gift of inventing, the gift of painting, the gift of versifying in
whatever measure he desired; flexibility of fancy and talent to
accommodate himself to all sorts of writing, and to all sorts of
colouring; a richness that never knows impediment or dearth; a memory
enriched by a vast range of reading; and an indefatigable application,
which augmented the facility he inherited from nature: with these arms
he presented himself in the arena, knowing in his bold ambition neither
curb nor limit. From the madrigal to the ode, from the eclogue to the
comedy, from the novel to the epic--he ran through all, he cultivated
all, and has left in all signs of devastation and of talent.
He brought the theatre under his subjection, and fixed upon him
universal attention,--the poets of his time were nothing compared to
him. His name was the seal of approbation for all; the people followed
him in the streets; strangers sought him out as an extraordinary object;
monarchs arrested their attention to regard him. He had critics who
raised the cry against his culpable carelessness, enviers who murmured
at him, detractors who calumniated him,--a mournful example, in addition
to the many other instances which prove that envy and calumny are born
with merit and celebrity; for neither the amiable courtesy of the poet,
nor the placidity of his genius, nor the pleasure with which he lent
himself to commend others, could either disarm his slanderers or temper
their malignity. But none of them could snatch away the sceptre from his
hands, nor abrogate the consideration which so many and such celebrated
works had acquired for him. His death was mourned as a public calamity;
his funeral drew an universal attendance. A volume of Spanish poetry was
composed upon his death, another of Italian; and, living and dying, he
was always hearing praises, always gathering laurels; admired as a
prodigy, and proclaimed "the Phoenix of Wits."
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