The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the AuthorVega, Garcilaso de la
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The Works of Garcilasso de la Vega, Surnamed the Prince of Castilian Poets, Translated into English Verse: With a Critical and Historical Essay on Spanish Poetry and a Life of the Author
Vega, Garcilaso de la
Spanish poetry -- 16th century -- Translations into English; Spanish poetry -- History and criticism
So may the Gods, so may the calm blue sky,
For the fair time that thou, in gentle mirth,
Sport'st in the air, with love benign deny
Snows to the earth!
So never may the grey cloud's cumbrous sail,
When from on high the rosy daybreak springs,
Beat on thy shoulders, nor its evil hail
Wound thy fine wings!"]
[Footnote M:
"Spanish Anacreon! none your Highness meets,
But says most courteously, that though your lines
Move elegiacally sad, your sweets
Have all the tasty syrup of new wines!
They say that they should like to see each song
With scrupulous exactness, for a freak,
Translated well into Anacreon's tongue,
Your honest eyes not having seen the Greek."
GÓNGORA.
"Although he said that all would hide from shame,
When the fine splendours of his genius came."
LOPE.]
[Footnote N: The eclogue of Tirsi of Figueroa, and the translation of
the Aminta by Jauregui, are the only exceptions to this general
decision, and the only examples that can be quoted among the ancient
Spanish poets, of blank verse well constructed.]
[Footnote O: The Asonante is a sort of imperfect rhyme peculiar to the
Spaniards; it consists in the uniformity of the two last vowels,
counting from the accent, as for example:
Tras una mariposa
Qual zagalejo _símple_
Corriendo por el valle
La senda á perder _víne_.
Their perfect rhymes are termed _Consonantes_.]
[Footnote P:
Until the surety comes whom I oblige
With my _Jerusalem_, which I indite,
Prune, polish, and correct from morn till night.
_Epistle to Gaspar de Barrionuevo._
What ideas of taste, correctness, elegance, and order, must the writer
have had, who with such diligence and study, produced so wild a work!]
[Footnote Q:
If my free neck had not been broke
To strict necessity's hard yoke,
I should have seen around my head
Some honour due to merit shed,
That would have given, as honour goes,
Green lustre to its hoary snows.
I ever have invoked the laugh
Of the vile vulgar on behalf
Of love-intrigues, meet or unmeet,
Oft dashed off at a single heat;
So--but far less impolitic,
Great painters daub their canvass quick.
LOPE; _Eclogue to Claudio_.]
[Footnote R:
Achilles' pictured wrath to Greece,
In gold-illumined palaces
Decorum kept, vile flatterers shamed,
The headstrong youth with love inflamed,
The beauteous lady under ban
Of some stern sire, the rich old man
Shrewd and sententious as a Jew,
To whom are these creations due?]
Public-domain text, read in full here on John Shaqi.
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