An immense hall, going from end to end, divided the house into two parts, its large doors opening opposite each other. A double staircase bestrode this entrance hall leaving the center empty, and, meeting at the height of the first floor, formed a sort of bridge. On the ground-floor, to the right, was the huge drawing-room hung with tapestry with a design of birds and flowers. All the furniture was in tapestry, the subjects of the designs being taken from La Fontaine's fables. Jeanne was delighted at recognizing a chair she had liked when she was quite a child, and which represented the history of the Fox and the Stork. The library, full of old books, and two other rooms, which were not used, came next to the drawing-room. On the left were the dining-room, which had been newly wainscoted, the linen-press, the pantry, the kitchen, and a little room with a bath in it. A corridor ran the whole length of the first story, the ten doors of as many rooms opening on to it, and Jeanne's room was quite at the end, on the right. The baron had just had it freshly furnished by simply using some hangings and furniture that had been stored away in a garret. Very old Flemish tapestry peopled the room with strange characters, and when she saw the bed Jeanne gave a cry of delight. At the four corners four birds of carved oak, quite black and polished till they shone, supported the bed, looking as though they were its guardians. The sides were decorated with two large garlands of carved flowers and fruit; and the four bed-posts, finely fluted and crowned with Corinthian capitals, supported a cornice of entwined roses and cupids. It was a monumental couch, and yet was very graceful, despite the somber appearance of the wood darkened by age. The counterpane and canopy, made of old dark blue silk, starred here and there with great _fleurs de lis_ embroidered in gold, sparkled like two firmaments. When she had finished admiring the bed, Jeanne, raising her light, examined the tapestry, trying to discover the subject of the design. A young nobleman and a young lady, dressed in the strangest way in green, red, and yellow, were talking under a blue tree on which white fruit was ripening. A big rabbit of the same color as the fruit was nibbling a little gray grass. Just above the figures, in a conventional distance, five little round houses with pointed roofs could be seen, and up at the top, nearly in the sky, was a red wind-mill. Great branches of flowers twined in and out over the whole. The next two panels were very like the first, except that out of the houses came four little men, dressed in Flemish costume, who raised their heads to heaven as if to denote their extreme surprise and anger. But the last set of hangings depicted a drama. Near the rabbit, which was still nibbling, the young man was stretched out, apparently dead. The young lady, with her eyes fixed on him, was thrusting a sword into her breast, and the fruit on the tree had become black.