The works of Guy de Maupassant, Vol. 5: Une Vie and Other StoriesMaupassant, Guy de
General
The works of Guy de Maupassant, Vol. 5: Une Vie and Other Stories
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
He yielded after some further resistance, and, sitting down with his
back to the fire, facing her, he ate a plateful of tripe, which had been
bubbling in the stove, and drank a glass of red wine. But he would not
allow her to uncork the bottle of white wine. He several times wiped
the mouth of the little boy, who had smeared all his chin with sauce.
As he was rising up to go, he asked:
"When would you like me to come back to speak about this business to
you, Mam'zelle Donet?"
"If it is all the same to you, say next Thursday, Monsieur Cesar. In
that way, I would lose none of my time, as I always have my Thursdays
free."
"That will suit me--next Thursday."
"You will come to lunch. Won't you?"
"Oh! On that point I can't give you a promise."
"The reason I suggested is that people can chat better when they are
eating. One has more time too."
"Well, be it so. About twelve o'clock, then."
And he took his departure, after he had again kissed little Emile, and
pressed Mademoiselle Donet's hand.
* * * * *
PART III
The week appeared long to Cesar Hautot. He had never before found
himself alone, and the isolation seemed to him insupportable. Till now,
he had lived at his father's side, just like his shadow, followed him
into the fields, superintended the execution of his orders, and, when
they had been a short time separated, again met him at dinner. They had
spent the evenings smoking their pipes, face to face with one another,
chatting about horses, cows or sheep, and the grip of their hands when
they rose up in the morning might have been regarded as a manifestation
of deep family affection on both sides.
Now Cesar was alone, he went vacantly through the process of dressing
the soil of autumn, every moment expecting to see the tall gesticulating
silhouette of his father rising up at the end of a plain. To kill time,
he entered the houses of his neighbors, told about the accident to all
who had not heard of it, and sometimes repeated it to the others. Then,
after he had finished his occupations and his reflections, he would sit
down at the side of a road, asking himself whether this kind of life was
going to last for ever.
Public-domain text, read in full here on John Shaqi.
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