The works of Guy de Maupassant, Vol. 5: Une Vie and Other StoriesMaupassant, Guy de
General
The works of Guy de Maupassant, Vol. 5: Une Vie and Other Stories
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
easy suppositions and that darkness of misery which, in addition to
being picturesque, brings philanthropy also to the writer's aid,
constitutes really, in extent and expressiveness, the substance of every
nation. In England, where the fashion of fiction still sets mainly to
the country-house and the hunting-field, and yet more novels are
published than anywhere else in the world, that thick twilight of
mediocrity of condition has been little explored. May it yield triumphs
in the years to come!"
The great merit of M. de Maupassant as a writer is his frank and
masculine directness. He sees life clearly, and he undertakes to
describe it as he sees it, in concise and vigorous language. He is a
realist, yet without the gloominess of Zola, over whom he claims one
great advantage, that of possessing a rich sense of humor, and a large
share of the old Gallic wit. His pessimism, indeed, is inexorable, and
he pushes the misfortune, or more often the degradation, of his
characters to its extreme logical conclusion. Yet, even in his saddest
stories, the general design is rarely sordid. For a long while he was
almost exclusively concerned with impressions of Normandy; a little
later he became one of the many painters of Paris. Then he traveled
widely, in the south of Europe, in Africa; wherever he went he took with
him a quick and sensitive eye for the aspects of nature, and his
descriptive passages, which are never pushed to a tiresome excess of
length, are often faultlessly vivid. He attempted, with a good deal of
cleverness, to analyze character, but his real power seems to lie in
describing, in a sober style and with a virile impartiality, the
superficial aspects of action and intrigue.
* * * * *
UNE VIE
(A WOMAN'S LIFE)
I
Jeanne, having finished her packing, went to the window, but it had not
stopped raining.
All night long the downpour had pattered against the roofs and the
window-panes. The low, heavy clouds seemed as though they had burst, and
were emptying themselves on the world, to reduce it to a pulp and melt
it as though it were a sugar-loaf. A hot wind swept by in gusts; the
murmur of the overflowing gutters filled the empty streets, and the
houses, like sponges, absorbed the moisture which, penetrating to the
interior, made the walls wet from cellar to attic.
Jeanne, who had left the convent the day before, free at last and ready
for all the happiness of a life of which she had dreamed for so long,
feared that her father would hesitate about starting if the weather did
not clear up, and, for the hundredth time since the morning, she studied
the horizon.
Public-domain text, read in full here on John Shaqi.
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