The Works of Guy de Maupassant, Volume 4Maupassant, Guy de
General
The Works of Guy de Maupassant, Volume 4
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
In Paris she would have been taken for a kept woman, but in Vienna the
best drawing-rooms were open to her, and she was not looked upon as more
respectable or as less respectable than any other aristocratic beauties.
Her husband decidedly belonged to that class of men whom that witty
writer, Balzac, so delightfully calls _les hommes predestines_ in his
_Physiologie du Mariage_. Without doubt, he was a very good-looking man,
but he bore that stamp of insignificance which so often conceals
coarseness and vulgarity, and was one of those men who, in the long run,
become unendurable to a woman of refined tastes. He had a good private
income, but his wife understood the art of enjoying life, and so a
deficit in the yearly accounts of the young couple became the rule,
without causing the lively lady to check her noble passion in the least
on that account; she kept horses and carriages, rode with the greatest
boldness, had her box at the opera, and gave beautiful little suppers,
which at that time was the highest aim of a Viennese woman of her class.
One of the two young diplomats who accompanied her, a young Count,
belonging to a well-known family in North Germany, and who was a perfect
gentleman in the highest sense of the word, was looked upon as her
adorer, while the other, who was his most intimate friend, yet, in spite
of his ancient name and his position as attache to a foreign legation,
gave people that distinct impression that he was an adventurer, which
makes the police keep such a careful eye on some persons, and he had the
reputation of being an unscrupulous and dangerous duellist. Short, thin,
with a yellow complexion, with strongly-marked but engaging features, an
aquiline nose and bright, dark eyes, he was the typical picture of a man
who seduces women and kills men.
The handsome woman appeared to be in love with the Count, and to take an
interest in his friend; at least, that was the construction that the
others in the dining-room put upon the situation, as far as it could
be made out from the behavior and looks of the people concerned, and
especially from their looks, for it was strange how devotedly and
ardently the beautiful woman's blue eyes rested on the Count, and with
what wild, diabolical sympathy she gazed at the Italian from time to
time, and it was hard to guess whether there was most love or hatred in
that glance. None of the four, however, who were then dining and chatting
so gaily together, had any presentiment at the time that they were
amusing themselves over a mine, which might explode at any moment, and
bury them all.
Public-domain text, read in full here on John Shaqi.
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