The Works of Guy de Maupassant, Volume VIII.Maupassant, Guy de
General
The Works of Guy de Maupassant, Volume VIII.
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
The two camps were clearly separated. Monsieur, without jealousy,
moreover, sometimes penetrated into the Academy, and cordial
handshakings were exchanged, but the Academy entertained infinite
contempt for the Salon of Agriculture, and it was rarely that one of
the princes of science, of thought, or of anything else mingled with
the agriculturists.
These receptions occasioned little expense--a cup of tea, a cake, that
was all. Monsieur, at an earlier period, had claimed two cakes, one
for the academy, and one for the agriculturists, but Madame having
rightly suggested that this way of acting seemed to indicate two
camps, two receptions, two parties, Monsieur did not press the matter,
so that they used only one cake, of which Madame Anserre did the
honors at the Academy, and which then passed into the Salon de
Agriculture.
Now, this cake was soon, for the Academy, a subject of observation
well calculated to arouse curiosity. Madame Anserre never cut it
herself. That function always fell to the lot of one or other of the
illustrious guests. The particular duty, which was supposed to carry
with it honorable distinction, was performed by each person for a
pretty long period, in one case for three months, scarcely ever for
more; and it was noticed that the privilege of "cutting the cake"
carried with it a heap of other marks of superiority--a sort of
royalty, or rather very accentuated vice-royalty.
The reigning cutter spoke in a haughty tone, with an air of marked
command; and all the favors of the mistress of the house were for him
alone.
These happy individuals were in moments of intimacy described in
hushed tones behind doors as the "favorites of the cake," and every
change of favorite introduced into the Academy a sort of revolution.
The knife was a scepter, the pastry an emblem; the chosen ones were
congratulated. The agriculturists never cut the cake. Monsieur himself
was always excluded, although he ate his share.
The cake was cut in succession by poets, by painters, and by
novelists. A great musician had the privilege of measuring the
portions of the cake for some time; an ambassador succeeded him.
Sometimes a man less well-known, but elegant and sought after, one of
those who are called according to the different epochs, "true
gentleman," or "perfect knight," or "dandy," or something else, seated
himself, in his turn, before the symbolic cake. Each of them, during
his ephemeral reign, exhibited greater consideration towards the
husband; then, when the hour of his fall had arrived, he passed on the
knife towards the other and mingled once more with the crowd of
followers and admirers of the "beautiful Madame Anserre."
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