The Works of Henry Fielding, vol. 12Fielding, Henry
General
The Works of Henry Fielding, vol. 12
Fielding, Henry
English literature -- 18th century
_Promp_. Common Sense, sir, desires to speak with you in the
green-room.
_Fust_. I'll wait upon her.
_Sneer_. You ought, for it is the first message, I believe, you
ever received from her. [_Aside_.
[_Exeunt_ Fus. _and_ SNEER.
_Enter_ a Dancer.
_Dane_. Look'e, Mr Prompter, I expect to dance first goddess; I
will not dance under Miss Minuet; I am sure I shew more to the
audience than any lady upon the stage.
_Promp_. Madam, it is not my business.
_Dane_. I don't know whose business it is; but I think the town
ought to be the judges of a dancer's merit; I am sure they are on my
side; and if I am not used better, I'll go to France; for now we have
got all their dancers away, perhaps they may be glad of some of ours.
_Promp_. Heyday! what's the matter?
[_A noise within_.
_Enter_ Player.
_Play_. The author and Common Sense are quarrelling in the
green-room.
_Promp_. Nay, then, that's better worth seeing than
anything in the play. [_Exit_ Promp.
_Danc_. Hang this play, and all plays; the dancers are the only
people that support the house; if it were not for us they might act
their Shakspeare to empty benches.
ACT IV.
SCENE I.--_Enter_ FUSTIAN _and_ SNEERWELL.
_Fust_. These little things, Mr Sneerwell, will sometimes
happen. Indeed a poet undergoes a great deal before he comes to his
third night; first with the muses, who are humorous ladies, and must
be attended; for if they take it into their head at any time to go
abroad and leave you, you will pump your brain in vain: then, sir,
with the master of a playhouse to get it acted, whom you generally
follow a quarter of a year before you know whether he will receive it
or no; and then, perhaps, he tells you it won't do, and returns it to
you again, reserving the subject, and perhaps the name, which he
brings out in his next pantomime; but if he should receive the play,
then you must attend again to get it writ out into parts and
rehearsed. Well, sir, at last, the rehearsals begin; then, sir, begins
another scene of trouble with the actors, some of whom don't like
their parts, and all are continually plaguing you with alterations: at
length, after having waded through all these difficulties, his play
appears on the stage, where one man hisses out of resentment to the
author, a second out of dislike to the house, a third out of dislike
to the actor, a fourth out of dislike to the play, a fifth for the
joke sake, a sixth to keep all the rest in company. Enemies abuse him,
friends give him up, the play is damned, and the author goes to the
devil: so ends the farce.
_Sneer_. The tragedy, rather, I think, Mr Fustian. But what's
become of Trapwit?
_Fust_. Gone off, I suppose; I knew he would not stay; he is so
taken up with his own performances, that he has no time to attend any
others. But come, Prompter, will the tragedy never begin?
_Enter_ Prompter.
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