The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories — John Shaqi
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
The work is placed among my Philosophical Studies, because it illustrates
the spirit of a period, and plainly shows the influence of opinions.
But before depicting the political arena on which Catherine comes into
collision with the two great obstacles in her career, it is necessary to
give a short account of her previous life from the point of view of an
impartial critic, so that the reader may form a general idea of this large
and royal life up to the time when the first part of this narrative opens.
Never at any period, in any country, or in any ruling family was there more
contempt felt for legitimacy than by the famous race of the Medici (in
French commonly written and pronounced Medicis). They held the same opinion
of monarchy as is now professed in Russia: The ruler on whom the crown
devolves is the real and legitimate monarch. Mirabeau was justified in
saying, "There has been but one mésalliance in my family--that with the
Medici;" for, notwithstanding the exertions of well-paid genealogists, it
is certain that the Medici, till the time of Avérardo de' Medici,
gonfaloniere of Florence in 1314, were no more than Florentine merchants of
great wealth. The first personage of the family who filled a conspicuous
place in the history of the great Tuscan Republic was Salvestro de' Medici,
gonfaloniere in 1378. This Salvestro had two sons--Cosmo and Lorenzo de'
Medici.
From Cosmo descended Lorenzo the Magnificent, the Duc de Nemours, the Duke
of Urbino, Catherine's father, Pope Leo X., Pope Clement VII., and
Alessandro, not indeed Duke of Florence, as he is sometimes called, but
Duke _della città di Penna_, a title created by Pope Clement VII. as a step
towards that of Grand Duke of Tuscany.
Lorenzo's descendants were Lorenzino--the Brutus of Florence--who killed
Duke Alessandro; Cosmo, the first Grand Duke, and all the rulers of
Florence till 1737, when the family became extinct.
But neither of the two branches--that of Cosmo or that of
Lorenzo--succeeded in a direct line, till the time when Marie de' Medici's
father subjugated Tuscany, and the Grand Dukes inherited in regular
succession. Thus Alessandro de' Medici, who assumed the title of Duke
_della città di Penna_, and whom Lorenzino assassinated, was the son of the
Duke of Urbino, Catherine's father, by a Moorish slave. Hence Lorenzino,
the legitimate son of Lorenzo, had a double right to kill Alessandro, both
as a usurper in the family and as an oppressor of the city. Some historians
have indeed supposed that Alessandro was the son of Clement VII. The event
that led to the recognition of this bastard as head of the Republic was his
marriage with Margaret of Austria, the natural daughter of Charles V.
Public-domain text, read in full here on John Shaqi.
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