Our author acknowledges, that this play of "The Mock Astrologer" is founded on "_Le feint Astrologue_," by the younger Corneille, which he, in his turn, had imitated from "_El Astrologo fingido_" of Calderon. But Dryden has also laid Moliere under contribution. Most part of the quarrelling scene betwixt Wildblood and Jacintha, in the fourth act, is literally copied from that betwixt Lucile Eraste, Marinette, and Gros René, in "_Le Depit Amoureux_." The absurd loquacity of Don Alonzo, and his friend's mode of silencing him, by ringing a bell in his ears, is imitated from the scene betwixt Albert and Metaphraste, in the same play; and, it must be allowed, it is an expedient which might be more decently resorted to against an inundation of nonsense from a pedantic schoolmaster, as in Moliere, than to stop the mouth of a noble old Spaniard, the uncle of Don Lopez' mistress. The play itself is more lively than most of Dryden's comedies. Wildblood and Jacintha are far more pleasant than their prototypes, Celadon and Florimel; and the Spanish bustle of the plot is well calculated to keep up the attention. The character of Aurelia was perhaps suggested by the "_Precieuses Ridicules_" of Moliere, but cannot, with any justice, be said to be copied from them. The Preface contains some excellent remarks on the old comedy. There is also an elaborate defence, the first our poet deigned to make, against the charge of plagiarism. On this point he quotes the words of Charles II., who had only desired, that they, who accused Dryden of theft, would steal him such plays as Dryden's: And he vindicates the right of an author to take his plot where he could best find it, in history or romance, providing that the conduct and disposition of the action, with the dialogue, character, and poetical ornaments, were original. Our author's use of the terms and technical phrases of judicial astronomy intimate his acquaintance with that pretended science, in which he is known to have placed some confidence. The "Mock Astrologer" appears to have been acted and published in 1668. THE PREFACE. * * * * *