"To unbosom myself frankly and freely to your grace, I always looked upon drunkenness to be an unpardonable crime in a young fellow, who, without any of these foreign helps, has fire enough in his veins to enable him to do justice to Cælia whenever she demands a tribute from him. In a middle-aged man, I consider the bottle only as subservient to the nobler pleasures of love; and he that would suffer himself to be so far infatuated by it, as to neglect the pursuit of a more agreeable game, I think deserves no quarter from the ladies: In old age, indeed, when it is convenient very often to forget and even steal from ourselves, I am of opinion, that a little drunkenness, discreetly used, may as well contribute to our health of body as tranquillity of soul. "Thus I have given your grace a short system of my morals and belief in these affairs. But the gentlemen of this country go upon a quite different scheme of pleasure; the best furniture of their parlours, instead of innocent china, are tall overgrown rummers; and they take more care to enlarge their cellars, than their patrimonial estates. In short, drinking is the hereditary sin of this country; and that hero of a deputy here, that can demolish, at one sitting, the rest of his brother envoys, is mentioned with as much applause as the Duke of Lorain for his noble exploits against the Turks, and may claim a statue, erected at the public expence, in any town in Germany. "Judge, then, my lord, whether a person of my sober principles, and one that only uses wine (as the wiser sort of Roman Catholics do images,) to raise up my imagination to something more exalted, and not to terminate my worship upon it, must not be reduced to very mortifying circumstances in this place; where I cannot pretend to enjoy conversation, without practising that vice that directly ruins it."] [Footnote 43: This is the only mention that our author makes of the "Rehearsal" in poetry: In prose he twice notices that satirical farce with some contempt. The length of time which the Duke spent upon it, or at least which elapsed between the first concoction and the representation, is mentioned by Duke in his character of Villerius: But with play-houses, wars, immortal wars, He waged, and ten years rage produced a farce. As many rolling years he did employ, } And hands almost as many, to destroy } Heroic rhyme, as Greece to ruin Troy. } Once more, says fame, for battle he prepares, And threatens rhymers with a second farce; But if as long for this as that we stay, He'll finish Cliveden sooner than his play. The last line alludes to the magnificent structure at Cliveden, which Buckingham planned, but never completed. Another satirist has the same idea: