This admirable Epistle is addressed to Congreve, whose rising genius had early attracted our author's attention and patronage. When Congreve was about to bring out "The Old Bachelor," the manuscript was put by Southerne into Dryden's hands, who declared, that he had never seen such a first play, and bestowed considerable pains in adapting it to the stage. It was received with the most unbounded approbation. "The Double Dealer" was acted in November 1693, but without that universal applause which attended "The Old Bachelor." The plot was perhaps too serious, and the villainy of Maskwell too black and hateful for comedy. It was the opinion too of Dryden, that the fashionable world felt the satire too keenly.[54] The play, however, cannot be said to have failed; for it rose by degrees against opposition. The epistle is one of the most elegant and apparently heart-felt effusions of friendship, that our language boasts; and the progress of literature from the Restoration, is described as Dryden alone could describe it. A critic of that day, whose candour seems to have been on a level with his taste, has ventured to insinuate, that _huffing Dryden_, as he prophanely calls our poet, had purposely deluded Congreve into presumption, by his praise, in order that he might lead him to make shipwreck of his popularity. But such malevolent constructions have been always put upon the conduct of men of genius, by the mean jealousy of the vulgar.[55] [Footnote 54: Mr Malone quotes part of a letter from Dryden on the subject of "The Double Dealer," and his own tragi-comedy of "Love Triumphant." It is addressed to Mr Walsh, and runs thus: "Congreve's 'Double Dealer' is much censured by the greater part of the town, and is defended only by the best judges, who, you know, are commonly the fewest. Yet it gains ground daily, and has already been acted eight times. The women think he has exposed ----; and the gentlemen are offended with him for the discovery of their follies, and the way of their intrigue under the notions of friendship to their ladies' husbands. "I am afraid you discover not your own opinion concerning my irregular use of tragi-comedy, in my _doppia favola_. I will never defend that practice, for I know it distracts the hearers; but know withal, that it has hitherto pleased them for the sake of variety, and for the particular taste which they have to low comedy."]