The works of John Dryden, now first collected in eighteen volumes. Volume 09Dryden, John
General
The works of John Dryden, now first collected in eighteen volumes. Volume 09
Dryden, John
English literature
The following poem has been uniformly and universally admired, not only
as one of Dryden's most excellent performances, but as indisputably
the best and most nervous political satire that ever was written. It
is said to have been undertaken at the command of Charles; and if
so, no king was ever better obeyed. The general state of parties in
England during the last years of the reign of Charles II. has been
often noticed, particularly in the notes on "The Duke of Guise," Vol.
VI. Shaftesbury, dismissed from the administration, had bent his whole
genius for intrigue, to effect the exclusion of the Duke of York from
the crown of England, even at the risque of a civil war. Monmouth
had thrown himself into the arms of the same party, flattered by
the prospect of occupying that place from which his uncle was to be
excluded. Every thing seemed to flatter his ambition. The pretensions
of the Duke's daughters must necessarily have been compromised by the
exclusion of their father. At any rate, they were not likely to be
supported by a powerful party, while Monmouth, by his own personal
influence, and that of Shaftesbury, was at the head of all, whom zeal
for religion, disappointed ambition, restlessness of temper, love of
liberty, or desire of licentiousness, had united in opposition to
the measures of the court. Every engine which judgement or wit could
dictate, was employed by either party to place their cause in the most
favourable light, and prejudice that of their adversaries. Among these,
the poem which follows was the most powerful, and the most successful.
The time of its appearance was chosen with as much art, as the poem
displays genius. Shaftesbury had been committed to the Tower on a
charge of high treason on the 2d July, and the poem was published a
few days before a bill of indictment was presented against him. The
sensation excited by such a poem, at such a time, was intense and
universal.
Public-domain text, read in full here on John Shaqi.
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