On the merits of Dryden's satire, all critics have been long agreed. "If it be considered," says Dr Johnson, "as a poem political and controversial, it will be found to comprise all the excellencies of which the subject is susceptible; acrimony of censure, elegance of praise, artful delineation of character, variety and vigour of sentiment, happy turns of language, and pleasing harmony of numbers; and all these raised to such a height as can scarcely be found in any other English composition." The more deeply we examine the plan of the piece, the more reason we will find to applaud the exquisite skill of the author. In the character of Absalom, particularly, he had a delicate task to perform. He was to draw the misguided and offending son, but not the hardened reprobate; for Charles, notwithstanding his just indignation, was to the end of his reign partial to this unfortunate prince, and anxious to detach him from his desperate counsellors. Dryden has, accordingly, liberally transferred all the fouler part of the accusation to the shoulders of Achitophel, while he is tender of the fame of Absalom. We may suppose, that, in doing so, the poet indulged his own feelings: the Duchess of Buccleuch had been his most early patroness, and he had received personal favours from Monmouth himself,[210] These recollections must have had weight with him, when engaged in composing this party poem; and we may readily believe him, when he affirms, that David could not be more tender of the young man's life, than he would be of his reputation. In many of the other characters, that of Buckingham in particular, a certain degree of mercy is preserved, even amid the severity of satire. The follies of Zimri are exposed to ridicule; but his guilt, (and the age accused him of most foul crimes,) is left in the shade. Even in drawing the character of Achitophel, such a degree of justice is rendered to his acute talents, and to his merits as a judge, that we are gained by the poet's apparent candour to give him credit for the truth of the portrait in its harsher features. It is remarkable, that the only considerable additions made to the poem, after the first edition, have a tendency rather to mollify than to sharpen the satire. The following additional passage, in the character of Achitophel, stands in this predicament: So easy still it proves in factious times, With public zeal to cancel private crimes. How safe is treason, and how sacred ill, Where none can sin against the people's will? Where crowds can wink, and no offence be known, Since in another's guilt they find their own? Yet fame deserved no enemy can grudge; The statesman we abhor, but praise the judge. In Israel's courts ne'er sat an Abethdin With more discerning eyes, or hands more clean, Unbribed, unsought, the wretched to redress; Swift of dispatch, and easy of access.