This is the sense of my author’s words contracted in a narrow compass; for, if you will believe Ablancourt, and others, his greatest fault is, that he exhausts his argument,--like Ovid, knows not when to give over, but is perpetually galloping beyond his stage. But though I cannot pursue our author any farther, I find myself obliged to say something of those translators of the following Dialogues, whom I have the honour to know, as well as of some other translations of this author; and a word or two of translation itself. As for the translators, all of them, that I know, are men of established reputation, both for wit and learning, at least sufficiently known to be so among all the finer spirits of the age. Sir Henry Sheers has given many proofs of his excellence in this kind; for while we, by his admirable address, enjoy Polybius in our mother tongue, we can never forget the hand that bestowed the benefit. The learning and judgment above his age, which every one discovers in Mr Moyle,[49] are proofs of those abilities he has shewn in his country’s service, when he was chose to serve it in the senate, as his father had done. The wit of Mr Blount,[50] and his other performances, need no recommendation from me; they have made too much noise in the world to need a herald. There are some other persons concerned in this work, whose names deserve a place among the foremost, but that they have not thought fit to be known, either out of a bashful diffidence of their own performance, or out of apprehension of the censure of an ill-natured and ill-judging age; for criticism is now become mere hangman’s work, and meddles only with the faults of authors; nay, the critic is disgusted less with their absurdities than excellence; and you cannot displease him more than in leaving him little room for his malice, in your correctness and perfection; though that indeed is what he never allows any man; for, like the bed of Procrustes, they stretch or cut off an author to its length. These spoilers of Parnassus are a just excuse for concealing the name, since most of their malice is levelled more at the person than the thing; and as a sure mark of their judgment, they will extol to the skies the anonymous work of a person they will not allow to write common sense.