The Works of John Greenleaf Whittier, Complete — John Shaqi
The Works of John Greenleaf Whittier, CompleteWhittier, John Greenleaf
General
The Works of John Greenleaf Whittier, Complete
Whittier, John Greenleaf
American literature; American poetry -- 19th century
Sing, O my soul, rejoicingly, on evening's twilight
calm
Uplift the loud thanksgiving, pour forth the grateful
psalm;
Let all dear hearts with me rejoice, as did the
saints of old,
When of the Lord's good angel the rescued Peter
told.
And weep and howl, ye evil priests and mighty
men of wrong,
The Lord shall smite the proud, and lay His hand
upon the strong.
Woe to the wicked rulers in His avenging hour!
Woe to the wolves who seek the flocks to raven
and devour!
But let the humble ones arise, the poor in heart
be glad,
And let the mourning ones again with robes of
praise be clad.
For He who cooled the furnace, and smoothed the
stormy wave,
And tamed the Chaldean lions, is mighty still to
save!
1843.
THE NEW WIFE AND THE OLD.
The following ballad is founded upon one of the marvellous legends
connected with the famous General ----, of Hampton, New Hampshire,
who was regarded by his neighbors as a Yankee Faust, in league with
the adversary. I give the story, as I heard it when a child, from a
venerable family visitant.
DARK the halls, and cold the feast,
Gone the bridemaids, gone the priest.
All is over, all is done,
Twain of yesterday are one!
Blooming girl and manhood gray,
Autumn in the arms of May!
Hushed within and hushed without,
Dancing feet and wrestlers' shout;
Dies the bonfire on the hill;
All is dark and all is still,
Save the starlight, save the breeze
Moaning through the graveyard trees,
And the great sea-waves below,
Pulse of the midnight beating slow.
From the brief dream of a bride
She hath wakened, at his side.
With half-uttered shriek and start,--
Feels she not his beating heart?
And the pressure of his arm,
And his breathing near and warm?
Lightly from the bridal bed
Springs that fair dishevelled head,
And a feeling, new, intense,
Half of shame, half innocence,
Maiden fear and wonder speaks
Through her lips and changing cheeks.
From the oaken mantel glowing,
Faintest light the lamp is throwing
On the mirror's antique mould,
High-backed chair, and wainscot old,
And, through faded curtains stealing,
His dark sleeping face revealing.
Listless lies the strong man there,
Silver-streaked his careless hair;
Lips of love have left no trace
On that hard and haughty face;
And that forehead's knitted thought
Love's soft hand hath not unwrought.
"Yet," she sighs, "he loves me well,
More than these calm lips will tell.
Stooping to my lowly state,
He hath made me rich and great,
And I bless him, though he be
Hard and stern to all save me!"
Public-domain text, read in full here on John Shaqi.
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