He sleeps in the Concord burial-ground, under the shadow of oaks; the very spot he would have chosen, for he looked upon trees with something akin to human affection. "They are," he said, "the beautiful handiwork and architecture of God, on which the eye never tires. Every one is a feather in the earth's cap, a plume in her bonnet, a tress on her forehead,--a comfort, a refreshing, and an ornament to her." Spring has hung over him her buds, and opened beside him her violets. Summer has laid her green oaken garland on his grave, and now the frost-blooms of autumn drop upon it. Shall man cast a nettle on that mound? He loved humanity,--shall it be less kind to him than Nature? Shall the bigotry of sect, and creed, and profession, drive its condemnatory stake into his grave? God forbid. The doubts which he sometimes unguardedly expressed had relation, we are constrained to believe, to the glosses of commentators and creed-makers and the inconsistency of professors, rather than to those facts and precepts of Christianity to which he gave the constant assent of his practice. He sought not his own. His heart yearned with pity and brotherly affection for all the poor and suffering in the universe. Of him, the angel of Leigh Hunt's beautiful allegory might have written, in the golden book of remembrance, as he did of the good Abou Ben Adhem, "He loved his fellow-men." ROBERT DINSMORE. The great charm of Scottish poetry consists in its simplicity, and genuine, unaffected sympathy with the common joys and sorrows of daily life. It is a home-taught, household melody. It calls to mind the pastoral bleat on the hillsides, the kirkbells of a summer Sabbath, the song of the lark in the sunrise, the cry of the quail in the corn-land, the low of cattle, and the blithe carol of milkmaids "when the kye come hame" at gloaming. Meetings at fair and market, blushing betrothments, merry weddings, the joy of young maternity, the lights and shades of domestic life, its bereavements and partings, its chances and changes, its holy death-beds, and funerals solemnly beautiful in quiet kirkyards, --these furnish the hints of the immortal melodies of Burns, the sweet ballads of the Ettrick Shepherd and Allan Cunningham, and the rustic drama of Ramsay. It is the poetry of home, of nature, and the affections.