The Works of John Greenleaf Whittier, Volume VI. (Of VII): Old Portraits and Modern Sketches, Plus Personal Sketches and Tributes and Historical PapersWhittier, John Greenleaf
History
The Works of John Greenleaf Whittier, Volume VI. (Of VII): Old Portraits and Modern Sketches, Plus Personal Sketches and Tributes and Historical Papers
Whittier, John Greenleaf
Biography; History
All this is sadly wanting in our young literature. We have no songs;
American domestic life has never been hallowed and beautified by the
sweet and graceful and tender associations of poetry. We have no Yankee
pastorals. Our rivers and streams turn mills and float rafts, and are
otherwise as commendably useful as those of Scotland; but no quaint
ballad or simple song reminds us that men and women have loved, met, and
parted on their banks, or that beneath each roof within their valleys the
tragedy and comedy of life have been enacted. Our poetry is cold and
imitative; it seems more the product of over-strained intellects than the
spontaneous outgushing of hearts warm with love, and strongly
sympathizing with human nature as it actually exists about us, with the
joys and griefs of the men and women whom we meet daily. Unhappily, the
opinion prevails that a poet must be also a philosopher, and hence it is
that much of our poetry is as indefinable in its mysticism as an Indian
Brahmin's commentary on his sacred books, or German metaphysics subjected
to homeopathic dilution. It assumes to be prophetical, and its
utterances are oracular. It tells of strange, vague emotions and
yearnings, painfully suggestive of spiritual "groanings which cannot be
uttered." If it "babbles o' green fields" and the common sights and
sounds of nature, it is only for the purpose of finding some vague
analogy between them and its internal experiences and longings. It
leaves the warm and comfortable fireside of actual knowledge and human
comprehension, and goes wailing and gibbering like a ghost about the
impassable doors of mystery:--
"It fain would be resolved
How things are done,
And who the tailor is
That works for the man I' the sun."
How shall we account for this marked tendency in the literature of a
shrewd, practical people? Is it that real life in New England lacks
those conditions of poetry and romance which age, reverence, and
superstition have gathered about it in the Old World? Is it that
"Ours are not Tempe's nor Arcadia's vales,"
Public-domain text, read in full here on John Shaqi.
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