but are more famous for growing Indian corn and potatoes, and the manufacture of wooden ware and pedler notions, than for romantic associations and legendary interest? That our huge, unshapely shingle structures, blistering in the sun and glaring with windows, were evidently never reared by the spell of pastoral harmonies, as the walls of Thebes rose at the sound of the lyre of Amphion? That the habits of our people are too cool, cautious, undemonstrative, to furnish the warp and woof of song and pastoral, and that their dialect and figures of speech, however richly significant and expressive in the autobiography of Sam Slick, or the satire of Hosea Biglow and Ethan Spike, form a very awkward medium of sentiment and pathos? All this may be true. But the Yankee, after all, is a man, and as such his history, could it be got at, must have more or less of poetic material in it; moreover, whether conscious of it or not, he also stands relieved against the background of Nature's beauty or sublimity. There is a poetical side to the commonplace of his incomings and outgoings; study him well, and you may frame an idyl of some sort from his apparently prosaic existence. Our poets, we must needs think, are deficient in that shiftiness, ready adaptation to circumstances, and ability of making the most of things, for which, as a people, we are proverbial. Can they make nothing of our Thanksgiving, that annual gathering of long-severed friends? Do they find nothing to their purpose in our apple-bees, buskings, berry- pickings, summer picnics, and winter sleigh-rides? Is there nothing available in our peculiarities of climate, scenery, customs, and political institutions? Does the Yankee leap into life, shrewd, hard, and speculating, armed, like Pallas, for a struggle with fortune? Are there not boys and girls, school loves and friendship, courtings and match-makings, hope and fear, and all the varied play of human passions, --the keen struggles of gain, the mad grasping of ambition,--sin and remorse, tearful repentance and holy aspirations? Who shall say that we have not all the essentials of the poetry of human life and simple nature, of the hearth and the farm-field? Here, then, is a mine unworked, a harvest ungathered. Who shall sink the shaft and thrust in the sickle? And here let us say that the mere dilettante and the amateur ruralist may as well keep their hands off. The prize is not for them. He who would successfully strive for it must be himself what he sings,--part and parcel of the rural life of New England,--one who has grown strong amidst its healthful influences, familiar with all its details, and capable of detecting whatever of beauty, humor, or pathos pertain to it,--one who has added to his book-lore the large experience of an active participation in the rugged toil, the hearty amusements, the trials, and the pleasures he describes.