would not have thee die but live,--will neither let me die nor
let me live, but die an everlasting life and live an everlasting
death; that that God, who when He could not get into me by
standing and knocking, by His ordinary means of entering, by His
word, His mercies, hath applied His judgments and hath shaked the
house, this body, with agues and palsies, and set this house on
fire with fevers and calentures, and frighted the master of the
house, my soul, with horrors and heavy apprehensions, and so made
an entrance into me; that that God should frustrate all His own
purposes and practises upon me, and leave me and cast me away, as
though I had cost Him nothing; that this God at last should let
this soul go away, as a smoke, as a vapour, as a bubble, and that
then this soul cannot be a smoke, a vapour, nor a bubble, but
must lie in darkness, as long as the Lord of light is light
itself, and never spark of that light reach to my soul: what
Tophet is not Paradise, what brimstone is not amber, what
gnashing is not a comfort, what gnawing of the worm is not a
tickling, what torment is not a marriage-bed to this damnation,
to be secluded eternally, eternally, eternally from the sight of
God!"
[1] Add. MS. 24,487 ("Chorus Vatum").
[2] Grosart's _Introduction_ to Marston's _Poems_, 1879
(privately printed).
[3] Elizabeth Guarsi, the poet's grandmother, on the death of her
husband, Andrew Guarsi, had married John Butler of Wardington,
co. Oxon.
[4] I have to thank the Dean of Winchester for supplying me, from
the books of the Dean and Chapter of Winchester, with the date of
Marston's presentation. The date of his resignation had been
previously communicated to me by Dr. Brinsley Nicholson, who
procured it from the Diocesan Registry, Winchester.
[5] The will was printed in Halliwell's preface to his edition of
Marston. Dr. Grosart gives a literatim copy (which I have
followed) collated by Col. Chester with the original.
[6] An abstract of her will, communicated by Col. Chester, is
printed in Dr. Grosart's _Introduction_ (p. xxiv.). To her
"reverend Pastor Master Edward Calamy"--the famous puritan
minister, _Edmund_ Calamy--she leaves "6 angels as a token
of my respect."
[7] _Pygmalion's Image_ was republished, without the
satires, in 1613 and 1628, in a volume containing the anonymous
poem _Alcilia_ and S. P.'s [Samuel Page's?] _Amos and
Laura_.
Public-domain text, read in full here on John Shaqi.
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