Hercules, the widowed Duke of Ferrara, is anxious that his son Tiberio should marry Dulcimel, daughter of Gonzago, Duke of Urbin; but, finding that he cannot persuade his son to marriage, he declares that he will himself marry Dulcimel. Tiberio is sent to the Court of Urbin to negotiate on his father's behalf. Hercules follows in disguise to watch the issue, and attaches himself (under the name of Faunus) to Tiberio's train at Urbin, where by adroit flattery he quickly gains the favour of Gonzago and the confidence of the courtiers. Dulcimel falls in love with Tiberio, and determines to make him her husband. She imposes on her father, Gonzago, a weak-minded lord with a boundless belief in his own wisdom, by a pretended discovery of Tiberio's love to her; and Gonzago, acting throughout under the impression that he is foiling Tiberio, becomes in the hands of his witty daughter the instrument by which her project is accomplished. Taxed by Gonzago with having made love to Dulcimel, Tiberio warmly denies the charge, but at length he perceives that the lady is making amorous advances, and his blood is fired. In the courtyard of the palace grew a plane-tree by which it was possible to ascend to the window of Dulcimel's bedchamber. Dulcimel informs her father that Tiberio intended to climb the plane-tree at night and enter her chamber, and that he had asked her to have a priest to be in readiness to conduct the marriage service. Gonzago upbraids Tiberio with his perfidy, and commands him to leave the court before the next morning. Tiberio asks for an explanation, and Gonzago then repeats what his daughter had said. Tiberio is not slow to avail himself of Dulcimel's invitation; he mounts the plane-tree, the priest is ready, and the marriage is consummated. Gonzago's chagrin is changed to satisfaction when Hercules, putting off his disguise, expresses his approval of the match. Much of the play is devoted to an exposure of the faults and follies of Gonzago's courtiers. At the close of the fifth act there is holden a court of Cupid, at which the delinquents are arraigned. _TO THE EQUAL READER._ I have ever more endeavoured to know myself, than to be known of others; and rather to be unpartially beloved of all, than factiously to be admired of a few; yet so powerfully have I been enticed with the delights of poetry, and (I must ingeniously[115] confess) above better desert so fortunate in the stage-pleasings, that (let my resolutions be never so fixed to call mine eyes into myself) I much fear that most lamentable death of him, "Qui nimis notus omnibus, Ignotus moritur sibi."--_Seneca._[116]