English drama -- 17th century; English poetry -- Early modern, 1500-1700
_To._ If your worship will have it so, I say there are
two sorts of gentlemen. There is a gentleman artificial,
and a gentleman natural. Now though your worship be
a gentleman natural: work upon that now. 129
_Qu._ Well said, old Touchstone; I am proud to
hear thee enter a set speech, i'faith; forth, I beseech
thee.
_To._ Cry your mercy, sir, your worship's a gentleman I
do not know. If you be one of my acquaintance, y'are
very much disguised, sir.
_Qu._ Go to, old quipper; forth with thy speech, I
say. 137
_To._ What, sir, my speeches were ever in vain to your
gracious worship; and therefore, till I speak to you
gallantry indeed, I will save my breath for my broth anon.
Come, my poor son and daughter, let us hide ourselves in
our poor humility, and live safe. Ambition consumes
itself with the very show. Work upon that now.
_Ge._ Let him go, let him go, for God's sake! let him
make his prentice his son, for God's sake! give away
his daughter, for God's sake! and when they come a-begging
to us for God's sake, let's laugh at their good
husbandry for God's sake. Farewell, sweet knight, pray
thee make haste after. 149
_Pe._ What shall I say?--I would not have thee go.
_Qu._ _Now,_[61] _O now, I must depart,
_Parting though it absence move._
This ditty, knight, do I see in thy looks in capital
letters.
_What a grief 'tis to depart, and leave the flower that
has my heart!_
_My sweet lady, and alack for woe, why, should we
part so?_
Tell truth, knight, and shame all dissembling lovers;
does not your pain lie on that side? 158
_Pe._ If it do, canst thou tell me how I may cure it?
_Qu._ Excellent easily. Divide yourself in two halves,
just by the girdlestead; send one half with your lady,
and keep t'other yourself; or else do as all true lovers
do--part with your heart, and leave your body behind.
I have seen't done a hundred times: 'tis as easy a matter
for a lover to part without a heart from his sweetheart,
and he ne'er the worse, as for a mouse to get from a trap
and leave her [_sic_] tail behind him. See, here comes the
writings. 168
_Enter_ SECURITY _with a_ Scrivener.
_Sec._ Good morrow to my worshipful lady. I present
your ladyship with this writing, to which if you please to
set your hand with your knight's, a velvet gown shall
attend your journey, o' my credit.
_Ge._ What writing is it, knight?
_Pe._ The sale, sweetheart, of the poor tenement I told
thee of, only to make a little money to send thee down
furniture for my castle, to which my hand shall lead
thee.
_Ge._ Very well. Now give me your pen, I pray.
_Qu._ It goes down without chewing, i'faith.
Public-domain text, read in full here on John Shaqi.
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