The Works of Lord Byron, Vol. 1. PoetryByron, George Gordon Byron, Baron
General
The Works of Lord Byron, Vol. 1. Poetry
Byron, George Gordon Byron, Baron
Poetry
Other travellers of less authority than Clarke--Dodwell, for instance,
who visited the Parthenon before it had been dismantled, and,
afterwards, was present at the removal of metopes; and Hughes, who came
after Byron (autumn, 1813)--make use of such phrases as "shattered
desolation," "wanton devastation and avidity of plunder." Even
Michaelis, the great archaeologist, who denounces 'The Curse of Minerva'
as a "'libellous' poem," and affirms "that only blind passion could
doubt that Lord Elgin's act was an act of preservation," admits that
"the removal of several metopes and of the statue from the Erechtheion
had severely injured the surrounding architecture" ('Ancient Marbles in
Great Britain', by A. Michaelis, translated by C.A.M. Fennell, 1882, p.
135). Highly coloured and emotional as some of these phrases may be,
they explain, if they do not justify, the 'sæva indignatio' of Byron's
satire.
It is almost, if not quite, unnecessary to state the facts on the other
side. History regards Lord Elgin as a disinterested official, who at
personal loss (at least thirty-five thousand pounds on his own showing),
and in spite of opposition and disparagement, secured for his own
country and the furtherance of art the perishable fragments of Phidian
workmanship, which, but for his intervention, might have perished
altogether. If they had eluded the clutches of Turkish mason and Greek
dealer in antiquities--if, by some happy chance, they had escaped the
ravages of war, the gradual but gradually increasing assaults of rain
and frost would have already left their effacing scars on the "Elgin
marbles." As it is, the progress of decay has been arrested, and all the
world is the gainer. Byron was neither a prophet nor an archaeologist,
and time and knowledge have put him in the wrong. But in 1810 the gaps
in the entablature of the Parthenon were new, the Phidian marbles were
huddled in a "damp dirty penthouse" in Park Lane (see 'Life of Haydon',
i. 84), and the logic of events had not justified a sad necessity.
THE CURSE OF MINERVA.
Pallas te hoc Vulnere Pallas
Immolat et poenam scelerato ex Sanguine Sumit.
ATHENS: CAPUCHIN CONVENT, _March_ 17, 1811.
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