The Works of Lord Byron. Vol. 5: PoetryByron, George Gordon Byron, Baron
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The Works of Lord Byron. Vol. 5: Poetry
Byron, George Gordon Byron, Baron
English drama; English poetry
_Sar._ Wear Caucasus! why, 'tis
A mountain on my temples.
_Sfe._ Sire, the meanest
Soldier goes not forth thus exposed to battle. 140
All men will recognise you--for the storm
Has ceased, and the moon breaks forth in her brightness.
_Sar._ I go forth to be recognised, and thus
Shall be so sooner. Now--my spear! I'm armed.
[_In going stops short, and turns to_ SFERO.
Sfero--I had forgotten--bring the mirror[19].
_Sfe._ The mirror, Sire?
_Sar._ Yes, sir, of polished brass,
Brought from the spoils of India--but be speedy.
[_Exit_ SFERO.
_Sar._ Myrrha, retire unto a place of safety.
Why went you not forth with the other damsels?
_Myr._ Because my place is here.
_Sar._ And when I am gone---- 150
_Myr._ I follow.
_Sar._ _You!_ to battle?
_Myr._ If it were so,
'Twere not the first Greek girl had trod the path.
I will await here your _return_.
_Sar._ The place
Is spacious, and the first to be sought out,
If they prevail; and, if it be so,
And I return not----
_Myr._ Still we meet again.
_Sar._ How?
_Myr._ In the spot where all must meet at last--
In Hades! if there be, as I believe,
A shore beyond the Styx; and if there be not,
In ashes.
_Sar._ Darest thou so much?
_Myr._ I dare all things 160
Except survive what I have loved, to be
A rebel's booty: forth, and do your bravest.
_Re-enter_ SFERO _with the mirror_.
_Sar._ (_looking at himself_).
This cuirass fits me well, the baldric better,
And the helm not at all. Methinks I seem
[_Flings away the helmet after trying it again_.
Passing well in these toys; and now to prove them.
Altada! Where's Altada?
_Sfe._ Waiting, Sire,
Without: he has your shield in readiness.
_Sar._ True--I forgot--he is my shield-bearer
By right of blood, derived from age to age.
Myrrha, embrace me;--yet once more--once more-- 170
Love me, whate'er betide. My chiefest glory
Shall be to make me worthier of your love.
Public-domain text, read in full here on John Shaqi.
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