The Works of Lucian of Samosata — Volume 02Lucian, of Samosata
Philosophy
The Works of Lucian of Samosata — Volume 02
Lucian, of Samosata
Lucian, of Samosata -- Translations into English
Advice has two provinces--one of choice, the other of avoidance; let us
first decide what the historian is to avoid--of what faults he must purge
himself--, and then proceed to the measures he must take for putting
himself on the straight high road. This will include the manner of his
beginning, the order in which he should marshal his facts, the questions
of proportion, of discreet silence, of full or cursory narration, of
comment and connexion. Of all that, however, later on; for the present we
deal with the vices to which bad writers are liable. As to those faults
of diction, construction, meaning, and general amateurishness, which are
common to every kind of composition, to discuss them is neither
compatible with my space nor relevant to my purpose.
But there are mistakes peculiar to history; your own observation will
show you just those which a constant attendance at authors'
readings [Footnote: These were very common in Roman Imperial times, for
purposes of advertisement, of eliciting criticism, &c. 'The audience at
recitations may be compared with the modern literary reviews, discharging
the functions of a preventive and emendatory, not merely of a
correctional tribunal. Before publication a work might thus be known to
more hearers than it would now find readers' Mayor, _Juvenal_, iii.
9.] has impressed on me; you have only to keep your ears open at every
opportunity. It will be convenient, however, to refer by the way to a few
illustrations in recent histories. Here is a serious fault to begin with.
It is the fashion to neglect the examination of facts, and give the space
gained to eulogies of generals and commanders; those of their own side
they exalt to the skies, the other side they disparage intemperately.
They forget that between history and panegyric there is a great gulf
fixed, barring communication; in musical phrase, the two things are a
couple of octaves apart. The panegyrist has only one concern--to commend
and gratify his living theme some way or other; if misrepresentation will
serve his purpose, he has no objection to that. History, on the other
hand, abhors the intrusion of any least scruple of falsehood; it is like
the windpipe, which the doctors tell us will not tolerate a morsel of
stray food.
Public-domain text, read in full here on John Shaqi.
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