The period of 1880 and of the two successive years should ever be
memorable, for it marks a great change in the constitution of English
society. It would seem that, under the quiet régime of the Tory Cabinet,
the upper ten thousand (as they were quaintly called in those days,) had
taken a somewhat more frigid tone. The Prince of Wales had inclined to
be restful after the revels of his youth. The prolonged seclusion
of Queen Victoria, who was then engaged upon that superb work of
introspection and self-analysis, More Leaves from the Highlands, had
begun to tell upon the social system. Balls and other festivities, both
at Court and in the houses of the nobles, were notably fewer. The vogue
of the Opera was passing. Even in the top of the season, Rotten Row, I
read, was not impenetrably crowded. But in 1880 came the tragic fall of
Disraeli and the triumph of the Whigs. How great a change came then
upon Westminster must be known to any one who has studied the annals of
Gladstone's incomparable Parliament. Gladstone himself, with a monstrous
majority behind him, revelling in the old splendour of speech that not
seventy summers nor six years' sulking had made less; Parnell, deadly,
mysterious, with his crew of wordy peasants that were to set all Saxon
things at naught--the activity of these two men alone would have made
this Parliament supremely stimulating throughout the land. What of young
Randolph Churchill, who, despite his halting speech, foppish mien and
rather coarse fibre of mind, was yet the greatest Parliamentarian of his
day? What of Justin Huntly McCarthy, under his puerile mask a most dark,
most dangerous conspirator, who, lightly swinging the sacred lamp of
burlesque, irradiated with fearful clarity the wrath and sorrow of
Ireland? What of Blocker Warton? What of the eloquent atheist, Charles
Bradlaugh, pleading at the Bar, striding past the furious Tories to
the very Mace, hustled down the stone steps with the broadcloth torn in
ribands from his back? Surely such scenes will never more be witnessed
at St. Stephen's. Imagine the existence of God being made a party
question! No wonder that at a time of such turbulence fine society also
should have shown the primordia of a great change. It was felt that
the aristocracy could not live by good-breeding alone. The old delights
seemed vapid, waxen. Something vivid was desired. And so the sphere of
fashion converged with the sphere of art, and revolution was the result.
Public-domain text, read in full here on John Shaqi.
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