Indeed, English society is always ruled by a dandy, and the more
absolutely ruled the greater that dandy be. For dandyism, the perfect
flower of outward elegance, is the ideal it is always striving to
realise in its own rather incoherent way. But there is no reason why
dandyism should be confused, as it has been by nearly all writers, with
mere social life. Its contact with social life is, indeed, but one of
the accidents of an art. Its influence, like the scent of a flower, is
diffused unconsciously. It has its own aims and laws, and knows none
other. And the only person who ever fully acknowledged this truth
in aesthetics is, of all persons most unlikely, the author of Sartor
Resartus. That any one who dressed so very badly as did Thomas Carlyle
should have tried to construct a philosophy of clothes has always seemed
to me one of the most pathetic things in literature. He in the Temple
of Vestments! Why sought he to intrude, another Clodius, upon those
mysteries and light his pipe from those ardent censers? What were his
hobnails that they should mar the pavement of that delicate Temple? Yet,
for that he betrayed one secret rightly heard there, will I pardon his
sacrilege. 'A dandy,' he cried through the mask of Teufelsdröck, 'is a
clothes-wearing man, a man whose trade, office, and existence consists
in the wearing of clothes. Every faculty of his soul, spirit, purse,
and person is heroically consecrated to this one object, the wearing of
clothes wisely and well.' Those are true words. They are, perhaps, the
only true words in Sartor Resartus. And I speak with some authority.
For I found the key to that empty book, long ago, in the lock of the
author's empty wardrobe. His hat, that is still preserved in Chelsea,
formed an important clue.
But (behold!) as we repeat the true words of Teufelsdröck, there comes
Monsieur Barbey D'Aurevilly, that gentle moqueur, drawling, with a wave
of his hand, 'Les esprits qui ne voient pas les choses que par leur plus
petit côté, ont imaginé que le Dandysme était surtout l'art de la mise,
une heureuse et audacieuse dictature en fait de toilette et d'élégance
extérieure. Très-certainement c'est cela aussi, mais c'est bien
d'avantage. Le Dandysme est toute une manière d'être et l'on n'est
pas que par la côté matériellement visible. C'est une manière d'être
entièrement composée de nuances, comme il arrive toujours dans les
sociétés très-vieilles et très-civilisées.' It is a pleasure to argue
with so suave a subtlist, and we say to him that this comprehensive
definition does not please us. We say we think he errs.
Public-domain text, read in full here on John Shaqi.
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