I have often wondered whether it was with a feeling that his influence
would be no more than life-long, that George allowed Carlton House, that
dear structure, the very work of his life and symbol of his being, to
be rased. I wish that Carlton House were still standing. I wish we
could still walk through those corridors, whose walls were 'crusted with
ormolu,' and parquet-floors were 'so glossy that, were Narcissus to come
down from heaven, he would, I maintain, need no other mirror for his
beauté.' I wish that we could see the pier-glasses and the girandoles
and the twisted sofas, the fauns foisted upon the ceiling and the rident
goddesses along the wall. These things would make George's memory dearer
to us, help us to a fuller knowledge of him. I am glad that the Pavilion
still stands here in Brighton. Its trite lawns and wanton cupolae have
taught me much. As I write this essay, I can see them from my window.
Last night, in a crowd of trippers and townspeople, I roamed the lawns
of that dishonoured palace, whilst a band played us tunes. Once I
fancied I saw the shade of a swaying figure and of a wine-red face.
Brighton, 1894.
The Pervasion of Rouge
Nay, but it is useless to protest. Artifice must queen it once more in
the town, and so, if there be any whose hearts chafe at her return, let
them not say, 'We have come into evil times,' and be all for resistance,
reformation, or angry cavilling. For did the king's sceptre send the sea
retrograde, or the wand of the sorcerer avail to turn the sun from
its old course? And what man or what number of men ever stayed that
inexorable process by which the cities of this world grow, are very
strong, fail, and grow again? Indeed, indeed, there is charm in every
period, and only fools and flutterpates do not seek reverently for what
is charming in their own day. No martyrdom, however fine, nor satire,
however splendidly bitter, has changed by a little tittle the known
tendency of things. It is the times that can perfect us, not we the
times, and so let all of us wisely acquiesce. Like the little wired
marionettes, let us acquiesce in the dance.
Public-domain text, read in full here on John Shaqi.
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