These, children of the stage, with fancy's wand rebuild the past. The dead are brought to life and made to act again the parts they played. The hearts and lips that long ago were dust, are made to beat and speak again. The dead kings are crowned once more, and from the shadows of the past emerge the queens, jeweled and sceptred as of yore. Lovers leave their graves and breathe again their burning vows; and again the white breasts rise and fall in passion's storm. The laughter that died away beneath the touch of death is heard again and lips that fell to ashes long ago are curved once more with mirth. Again the hero bares his breast to death; again the patriot falls, and again the scaffold, stained with noble blood, becomes a shrine. The citizens of the real world gain joy and comfort from the stage. The broker, the speculator ruined by rumor, the lawyer baffled by the intelligence of a jury or the stupidity of a judge, the doctor who lost his patience because he lost his patients, the merchant in the dark days of depression, and all the children of misfortune, the victims of hope deferred, forget their troubles for a little while when looking on the mimic world. When the shaft of wit flies like the arrow of Ulysses through all the rings and strikes the centre; when words of wisdom mingle with the clown's conceits; when folly laughing shows her pearls, and mirth holds carnival; when the villain fails and the right triumphs, the trials and the griefs of life for the moment fade away. And so the maiden longing to be loved, the young man waiting for the "Yes" deferred; the unloved wife, hear the old, old story told again,--and again within their hearts is the ecstasy of requited love. The stage brings solace to the wounded, peace to the troubled, and with the wizard's wand touches the tears of grief and they are changed to the smiles of joy. The stage has ever been the altar, the pulpit, the cathedral of the heart. There the enslaved and the oppressed, the erring, the fallen, even the outcast, find sympathy, and pity gives them all her tears--and there, in spite of wealth and power, in spite of caste and cruel pride, true love has ever triumphed over all. The stage has taught the noblest lesson, the highest truth, and that is this: It is better to deserve without receiving than to receive without deserving. As a matter of fact, it is better to be the victim of villainy than to be a villain. Better to be stolen from than to be a thief, and in the last analysis the oppressed, the slave, is less unfortunate than the oppressor, the master.