The children of the stage, these citizens of the mimic world, are not the grasping, shrewd and prudent people of the mart; they are improvident enough to enjoy the present and credulous enough to believe the promises of the universal liar known as Hope. Their hearts and hands are open. As a rule genius is generous, luxurious, lavish, reckless and royal. And so, when they have reached the ladder's topmost round, they think the world is theirs and that the heaven of the future can have no cloud. But from the ranks of youth the rival steps. Upon the veteran brows the wreaths begin to fade, the leaves to fall; and failure sadly sups on memory. They tread the stage no more. They leave the mimic world, fair fancy's realm; they leave their palaces and thrones; their crowns are gone, and from their hands the sceptres fall. At last, in age and want, in lodgings small and bare, they wait the prompter's call; and when the end is reached, maybe a vision glorifies the closing scene. Again they are on the stage; again their hearts throb high; again they utter perfect words; again the flowers fall about their feet; and as the curtain falls, the last sound that greets their ears, is the music of applause, the "bravos" for an encore. And then the silence falls on darkness. Some loving hands should close their eyes, some loving lips should leave upon their pallid brows a kiss; some friends should lay the breathless forms away, and on the graves drop blossoms jeweled with the tears of love. This is the work of the generous men and women who contribute to the Actors' Fund. This is charity; and these generous men and women have taught, and are teaching, a lesson that all the world should learn, and that is this: The hands that help are holier than the lips that pray. ADDRESS TO THE PRESS CLUB. New Orleans, February 1, 1898. LADIES AND GENTLEMEN of the New Orleans