The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
The sale by auction of the wreck, which, by arrangement, is to be
Pinkerton's prey, the mysterious opposition of the other bidder, so
determined to win an object apparently so worthless, is no less
thrilling than the sale of the fur coat in Boisgobey's "Crime de
l'Opera." But the reader knows why the fur coat is so much desired,
whereas I remember being driven so wild by curiosity about the value of
the wreck that I wrote to Louis, desiring to learn the secret. He would
not divulge it, and when, after the voyage to the island and the
excitement of knocking the wreck to pieces were over--when the secret
came out, it was neither pleasant nor probable. That a mild British
amateur of water-colour drawing should have taken part in a massacre of
men, shot painfully with cheap revolvers, was an example of "the
possible improbable," and much more of a tax on belief than the
transformation of Dr. Jekyll. When I mildly urged this criticism, I
learned, by return of post, from a correspondent usually as dilatory as
Wordsworth, that I was a stay-at-home person ignorant of the world, and
of life as it is lived by full-blooded men on the high seas. That was
very true, but the amateur in water-colour was also a mild kind of good
being. "What would I have done with the crew who were such compromising
witnesses, and were butchered?" I would have marooned them.
"The Beach of Falesa" is a revelation of unfamiliar life and character,
and one is attached to the little brown heroine. There was to have been
"a supernatural element," better, probably, than the device of the
AEolian harps hung in the thicket. "I have got the smell and the look of
the thing a good deal," he said, and he had got the style of his rough
English narrator, who was, as he told the missionary, "what you call a
sinner, what I call a sweep," but repented in time.
A period of many projects followed; one, "The Young Chevalier," had a
germ in "The Letter of Henry Goring" (1749-1750), with which I brought
him acquainted, not knowing then that it was merely a romance by the
prolific Eliza Heywood. It was in this tale that the Master of
Ballantrae was to come to the rescue, and I think that a Scottish
assassin (who lurks obscure in real history) and Mandrin, the famed
French robber, were to appear, but only a chapter is published among
other fragments. As it stands, Prince Charles's eyes are alternately
blue and brown; brown was their actual colour--they were like
Stevenson's own.
Fortunately, the "Chevalier" was deserted for the continuation of
"Kidnapped," a sequel which is as good as, or, thanks to the two
heroines, Catriona and Barbara Grant, is even better than, the original.
To think of it is to wish to take it from the shelf and read it again.
It is all excellent, from the scenes where Alan is hiding under a
haystack (suggested by an adventure of the Chevalier Johnstone after
Culloden), and the first meeting with that good daughter of Clan Alpine
and of James Mor, onwards.
Public-domain text, read in full here on John Shaqi.
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