The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
Readers of his Letters, and of his Biography by his cousin, Mr. Balfour;
readers of his essays, and of his novels, must see that he was keenly
interested in cases of conscience; in the right course to steer in an
apparent conflict of duties. To say that his theory of the right course,
in a hypothetical instance, was always the same as my own would be to
abuse the confidence of the reader. As Preston-grange observes: "I would
never charge myself with Mr. David's conscience; and if you could cast
some part of it (as you went by) in a moss bog, you would find yourself
to ride much easier without it"; and _not_, perhaps, always in the wrong
direction. There is a case of conscience in "The Wrecker," something
about opium-smuggling, and the conscience of Mr. Loudon Dodd (a truly
Balfourian character), which I have studied, aided by other casuists,
for a summer's day. We never could agree as to what the case really was,
as to what was the moral issue.
Casuistry may not be my strong point. I have found myself between no
less authorities than a Chancellor of England and a learned Jesuit, both
of whom, I thought, would certainly accept my view of a very unusual
case of conduct. A certain cleric, in his ecclesiastical duties,
happened to overhear an automatically uttered remark by another person;
who never meant to speak or to be overheard. The cleric acted on this
information, with results distressing to a pair of true lovers. I
maintained that he did wrong. "There was no appeal," I said, "to the
umpire. Nobody in the field asked 'How's that?'" But the Chancellor and
the learned Jesuit backed the clergyman.
Now, I never knew for certain how "Mr. David's conscience" would decide,
but I think he would have been with me on this occasion, and with the
Rules of the Game.
There was a very pleasant trait in Stevenson's character which, perhaps,
does not display itself in most of his writings; his great affection for
children. In "A Child's Garden of Verse," delightful as it is, and not
to be read without "a great inclination to cry," the child is himself,
the child "that is gone." But, in an early letter, he writes: "Kids is
what is the matter with me ... Children are too good to be true." He had
a natural infatuation, so to say, for children as children, which many
men of the pen overcome with no apparent difficulty. He could not
overcome it; little boys and girls were his delight, and he was theirs.
At Molokai, the Leper Island, he played croquet with the little girls;
refusing to wear gloves, lest he should remind them of their condition.
Sensitive and weak in body as he was, Nelson was not more fearless. It
was equally characteristic of another quality of his, the open hand,
that he gave a grand piano to these leper children.
He says:
"But the nearest friends are the auldest friends,
And the grave's the place to seek them."
Public-domain text, read in full here on John Shaqi.
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