Every little Presbyterian, fifty years ago, was compelled to be familiar with the Genevan creed, as expressed in "The Shorter Catechism," but most little Presbyterians regarded that document as a necessary but unintelligible evil--the sorrow that haunted the Sabbath. I knew it by rote, Effectual Calling and all, but did not perceive that it possessed either meaning or actuality. Nobody was so unkind as to interpret the significance of the questions and answers; but somebody did interpret them for Stevenson, or his early genius enabled him to discover what it is all about, as he told me once, and it seems that the tendency of the theology is terribly depressing. A happier though more or less theological influence on his childhood he found in the adventures and sufferings of the Covenanters. It is curious (and shows how much early education can do) that he never was a little Royalist: always his heart, like Lockhart's, which is no less strange, was with the true blue Remnant. I can remember no proof that he was fascinated by the greatness of Montrose. As is well known, at about the age of sixteen he perverted a romance of his own making, "Hackston of Rathillet" (a fanatic of Fife), into a treatise: "The Pentland Rising, a Page of History," published in 1866. One would rather have possessed the romance. Stevenson came from the Balfours of Pilrig, and was of gentle blood, on the spindle side. An ancestress of his mother was a granddaughter of Sir Gilbert Elliot (as a "law lord," or judge, Lord Minto), and so he could say: "I have shaken a spear in the debatable land, and shouted the slogan of the Elliots": perhaps "And wha dares meddle wi' me!" In "Weir of Hermiston" he returns to "the auld bauld Elliots" with zest. He was not, perhaps, aware that, through some remote ancestress on the spindle side, he "came of Harden's line," so that he and I had a common forebear with Sir Walter Scott, and were hundredth cousins of each other, if we reckon in the primitive manner by female descent. Of these Border ancestors, Louis inherited the courage; he was a fearless person, but one would not trace his genius to "The Bard of Rule," an Elliot named "Sweet Milk" who was slain in a duel by another minstrel, about 1627.