The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
It is difficult to pass from the enchanted childhood of this eternal
child, with its imaginative playing at everything, broken only by fevers
whereof the dreams were the nightmares of unconscious genius. He has
told of all this as only he could tell it.
As a boy, despite his interrupted education, he laid the foundations of
a knowledge of French and German, acquired Latin, and was not like that
other boy who, _Euclide viso, cohorruit et evasit._ He was a
mathematician! He never played cricket, I deeply regret to say, and his
early love of football deserted him. He was no golfer, and a good day's
trout-fishing, during which he neglected to kill each trout as it was
taken, caused remorse, and made him abandon the contemplative boy's
recreation. Boating, riding, and walking were his exercises. He read the
good books that never lose their charm--Scott, Dumas, Shakespeare, "The
Arabian Nights"; when very young he was delighted with "The Book of
Snobs"; he also read Mayne Reid and "Ballantyne the Brave," and any
story that contained _Skeltica_, cloaks, swords, wigs on the green,
pirates and great adventures. He lived in literature, for Romance.
His doings at Edinburgh University, and as a budding engineer, he has
chronicled; he took part in snowball rows, in the debates of the
Speculative Society, and in private dramatic performances, organized by
his senior and friend, Professor Fleeming Jenkin. To "dress up" in old
costumes always pleased him. He happened to praise the acting of a girl
of fourteen, who, in her family circle, said, "Perhaps when I am old,
like the lady in Ronsard, I will say 'R. L. Stevenson sang of me.'" His
gambols "with the wild Prince and Poins" are not unrecorded. These were
his Fergussonian years. Perhaps he might have expressed Burns's esteem
for the "class of men called black-guards," as far as their
unconventionality is concerned. He saw a great deal of life in many
varieties; like Scott in Liddesdale, "he was making himsel' a' the
time." With his cousin R. A. M. Stevenson, Walter Ferrier, Mr. Charles
Baxter, and Sir Walter Simpson (a good golfer and not a bad bat), he
performed "acts of Libbelism," and discussed all things in the universe.
He was wildly gay, and profoundly serious, he had the earnestness of the
Covenanter in forming speculations more or less unorthodox. It is
needless to dwell on the strain caused by his theological ideals and
those of a loving but sternly Calvinistic sire, to whom his love was
ever loyal.
These things bred melancholy, of necessity, and melancholy was purged by
an almost unexampled interest, not in literature alone, but in the
technique of style, and the construction of sentences and periods. Few
of his confessions are better known than those on his apprenticeship in
style to the great authors of the past. He gave himself up to the
schools of Hazlitt, Lamb, Wordsworth, Sir Thomas Browne, Defoe,
Hawthorne, Montaigne, Baudelaire, William Morris, and Obermann (De
Senancour).
Public-domain text, read in full here on John Shaqi.
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