The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
And then he shrugged his shoulders, and said, "_Ach, ja_," with gusto,
like a man who has been flattered in his favourite pretensions. Indeed,
he was always hinting at some secret sorrow; and his life, he said, had
been one of unusual trouble and anxiety; so the legends of the steerage
may have represented at least some shadow of the truth. Once, and once
only, he sang a song at our concerts, standing forth without
embarrassment, his great stature somewhat humped, his long arms
frequently extended, his Kalmuck head thrown backward. It was a suitable
piece of music, as deep as a cow's bellow and wild like the White Sea.
He was struck and charmed by the freedom and sociality of our manners.
At home, he said, no one on a journey would speak to him, but those with
whom he would not care to speak; thus unconsciously involving himself in
the condemnation of his countrymen. But Russia was soon to be changed;
the ice of the Neva was softening under the sun of civilisation; the new
ideas, "_wie eine feine Violine_," were audible among the big, empty
drum-notes of Imperial diplomacy; and he looked to see a great revival,
though with a somewhat indistinct and childish hope.
We had a father and son who made a pair of Jacks-of-all-trades. It was
the son who sang the "Death of Nelson" under such contrarious
circumstances. He was by trade a shearer of ship plates; but he could
touch the organ, and led two choirs, and played the flute and piccolo in
a professional string band. His repertory of songs was, besides,
inexhaustible, and ranged impartially from the very best to the very
worst within his reach. Nor did he seem to make the least distinction
between these extremes, but would cheerfully follow up "Tom Bowling"
with "Around her splendid form."
The father, an old, cheery, small piece of manhood, could do everything
connected with tinwork from one end of the process to the other, use
almost every carpenter's tool, and make picture frames to boot. "I sat
down with silver plate every Sunday," said he, "and pictures on the
wall. I have made enough money to be rolling in my carriage. But, sir,"
looking at me unsteadily with his bright rheumy eyes, "I was troubled
with a drunken wife." He took a hostile view of matrimony in
consequence. "It's an old saying," he remarked: "God made 'em, and the
devil he mixed 'em."
Public-domain text, read in full here on John Shaqi.
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