The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
History
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
different aspects crowded back on his imagination with a new and
startling significance; and he wrote a ballad, by way of epitaph for
himself and his companions, which remains unique in the annals of
mankind. It is, in the highest sense, a piece of his biography:--
"La pluye nous a debuez et lavez,
Et le soleil dessechez et noirciz;
Pies, corbeaulx, nous ont les yeux cavez,
Et arrachez la barbe et les sourcilz.
Jamais, nul temps, nous ne sommes rassis;
Puis ca, puis la, comme le vent varie,
A son plaisir sans cesser nous charie,
Plus becquetez d'oiseaulx que dez a couldre.
Ne soyez donc de nostre confrairie,
Mais priez Dieu que tous nous vueille absouldre."
Here is some genuine thieves' literature after so much that was
spurious; sharp as an etching, written with a shuddering soul. There is
an intensity of consideration in the piece that shows it to be the
transcript of familiar thoughts. It is the quintessence of many a
doleful nightmare on the straw, when he felt himself swing helpless in
the wind, and saw the birds turn about him, screaming and menacing his
eyes.
And, after all, the Parliament changed his sentence into one of
banishment; and to Roussillon, in Dauphiny, our poet must carry his woes
without delay. Travellers between Lyons and Marseilles may remember a
station on the line, some way below Vienne, where the Rhone fleets
seaward between vine-clad hills. This was Villon's Siberia. It would be
a little warm in summer perhaps, and a little cold in winter in that
draughty valley between two great mountain fields; but what with the
hills, and the racing river, and the fiery Rhone wines, he was little to
be pitied on the conditions of his exile. Villon, in a remarkably bad
ballad, written in a breath, heartily thanked and fulsomely belauded the
Parliament; the _envoi_, like the proverbial postscript of a lady's
letter, containing the pith of his performance in a request for three
days' delay to settle his affairs and bid his friends farewell. He was
probably not followed out of Paris, like Antoine Fradin, the popular
preacher, another exile of a few years later, by weeping multitudes;[13]
but I daresay one or two rogues of his acquaintance would keep him
company for a mile or so on the south road, and drink a bottle with him
before they turned. For banished people, in those days, seem to have set
out on their own responsibility, in their own guard, and at their own
expense. It was no joke to make one's way from Paris to Roussillon
alone and penniless in the fifteenth century. Villon says he left a rag
of his tails on every bush. Indeed, he must have had many a weary tramp,
many a slender meal, and many a to-do with blustering captains of the
Ordonnance. But with one of his light fingers, we may fancy that he took
as good as he gave; for every rag of his tail he would manage to
indemnify himself upon the population in the shape of food, or wine, or
Public-domain text, read in full here on John Shaqi.
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