The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
History
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
ringing money; and his route would be traceable across France and
Burgundy by housewives and inn-keepers lamenting over petty thefts, like
the track of a single human locust. A strange figure he must have cut in
the eyes of the good country people: this ragged, blackguard city poet,
with a smack of the Paris student, and a smack of the Paris street arab,
posting along the highways, in rain or sun, among the green fields and
vineyards. For himself, he had no taste for rural loveliness; green
fields and vineyards would be mighty indifferent to Master Francis; but
he would often have his tongue in his cheek at the simplicity of rustic
dupes, and often, at city gates, he might stop to contemplate the gibbet
with its swinging bodies, and hug himself on his escape.
How long he stayed at Roussillon, how far he became the _protege_ of the
Bourbons, to whom that town belonged, or when it was that he took part,
under the auspices of Charles of Orleans, in a rhyming tournament to be
referred to once again in the pages of the present volume, are matters
that still remain in darkness, in spite of M. Longnon's diligent
rummaging among archives. When we next find him, in summer 1461, alas!
he is once more in durance: this time at Meun-sur-Loire, in the prisons
of Thibault d'Aussigny, Bishop of Orleans. He had been lowered in a
basket into a noisome pit, where he lay all summer, gnawing hard crusts
and railing upon fate. His teeth, he says, were like the teeth of a
rake: a touch of haggard portraiture all the more real for being
excessive and burlesque, and all the more proper to the man for being a
caricature of his own misery. His eyes were "bandaged with thick
walls." It might blow hurricanes overhead; the lightning might leap in
high heaven; but no word of all this reached him in his noisome pit.
"_Il n'entre, ou gist, n'escler ni tourbillon._" Above all, he was
levered with envy and anger at the freedom of others; and his heart
flowed over into curses as he thought of Thibault d'Aussigny, walking
the streets in God's sunlight, and blessing people with extended
fingers. So much we find sharply lined in his own poems. Why he was cast
again into prison--how he had again managed to shave the gallows--this
we know not, nor, from the destruction of authorities, are we ever
likely to learn. But on October 2nd, 1461, or some day immediately
preceding, the new King, Louis Eleventh, made his joyous entry into
Meun. Now it was a part of the formality on such occasions for the new
King to liberate certain prisoners; and so the basket was let down into
Villon's pit, and hastily did Master Francis scramble in, and was most
joyfully hauled up, and shot out, blinking and tottering, but once more
a free man, into the blessed sun and wind. Now or never is the time for
verses! Such a happy revolution would turn the head of a
stocking-weaver, and set him jingling rhymes. And so--after a voyage to
Paris, where he finds Montigny and De Cayeux clattering their bones upon
Public-domain text, read in full here on John Shaqi.
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