The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
Jeremy Taylor's "Life of Christ" and greet me with the same open brow,
the same kind formality of manner. His opinions and sympathies dated the
man almost to a decade. He had begun life, under his mother's influence,
as an admirer of Junius, but on maturer knowledge had transferred his
admiration to Burke. He cautioned me, with entire gravity, to be
punctilious in writing English; never to forget that I was a Scotsman,
that English was a foreign tongue, and that if I attempted the
colloquial, I should certainly be shamed: the remark was apposite, I
suppose, in the days of David Hume. Scott was too new for him; he had
known the author--known him, too, for a Tory; and to the genuine classic
a contemporary is always something of a trouble. He had the old, serious
love of the play; had even, as he was proud to tell, played a certain
part in the history of Shakespearian revivals, for he had successfully
pressed on Murray, of the old Edinburgh Theatre, the idea of producing
Shakespeare's fairy pieces with great scenic display. A Moderate in
religion, he was much struck in the last years of his life by a
conversation with two young lads, revivalists. "H'm," he would say--"new
to me. I have had--h'm--no such experience." It struck him, not with
pain, rather with a solemn philosophic interest, that he, a Christian as
he hoped, and a Christian of so old a standing, should hear these young
fellows talking of his own subject, his own weapons that he had fought
the battle of life with,--"and--h'm--not understand." In this wise and
graceful attitude he did justice to himself and others, reposed unshaken
in his old beliefs, and recognised their limits without anger or alarm.
His last recorded remark, on the last night of his life, was after he
had been arguing against Calvinism with his minister and was interrupted
by an intolerable pang. "After all," he said, "of all the 'isms, I know
none so bad as rheumatism." My own last sight of him was some time
before, when we dined together at an inn; he had been on circuit, for he
stuck to his duties like a chief part of his existence; and I remember
it as the only occasion on which he ever soiled his lips with slang--a
thing he loathed. We were both Roberts; and as we took our places at
table, he addressed me with a twinkle: "We are just what you would call
two bob." He offered me port, I remember, as the proper milk of youth;
spoke of "twenty-shilling notes"; and throughout the meal was full of
old-world pleasantry and quaintness, like an ancient boy on a holiday.
But what I recall chiefly was his confession that he had never read
_Othello_ to an end. Shakespeare was his continual study. He loved
nothing better than to display his knowledge and memory by adducing
parallel passages from Shakespeare, passages where the same word was
employed, or the same idea differently treated. But _Othello_ had beaten
him. "That noble gentleman and that noble lady--h'm--too painful for
Public-domain text, read in full here on John Shaqi.
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