The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
me." The same night the hoardings were covered with posters, "Burlesque
of _Othello_," and the contrast blazed up in my mind like a bonfire. An
unforgettable look it gave me into that kind man's soul. His
acquaintance was indeed a liberal and pious education. All the
humanities were taught in that bare dining-room beside his gouty
footstool. He was a piece of good advice; he was himself the instance
that pointed and adorned his various talk. Nor could a young man have
found elsewhere a place so set apart from envy, fear, discontent, or any
of the passions that debase; a life so honest and composed; a soul like
an ancient violin, so subdued to harmony, responding to a touch in
music--as in that dining-room, with Mr. Hunter chatting at the eleventh
hour, under the shadow of eternity, fearless and gentle.
The second class of old people are not anecdotic; they are rather
hearers than talkers, listening to the young with an amused and critical
attention. To have this sort of intercourse to perfection, I think we
must go to old ladies. Women are better hearers than men, to begin with;
they learn, I fear in anguish, to bear with the tedious and infantile
vanity of the other sex; and we will take more from a woman than even
from the oldest man in the way of biting comment. Biting comment is the
chief part, whether for profit or amusement, in this business. The old
lady that I have in my eye is a very caustic speaker, her tongue, after
years of practice, in absolute command, whether for silence or attack.
If she chance to dislike you, you will be tempted to curse the malignity
of age. But if you chance to please even slightly, you will be listened
to with a particular laughing grace of sympathy, and from time to time
chastised, as if in play, with a parasol as heavy as a pole-axe. It
requires a singular art, as well as the vantage-ground of age, to deal
these stunning corrections among the coxcombs of the young. The pill is
disguised in sugar of wit; it is administered as a compliment--if you
had not pleased, you would not have been censured; it is a personal
affair--a hyphen, a _trait d'union_, between you and your censor; age's
philandering, for her pleasure and your good. Incontestably the young
man feels very much of a fool; but he must be a perfect Malvolio, sick
with self-love, if he cannot take an open buffet and still smile. The
correction of silence is what kills; when you know you have
transgressed, and your friend says nothing and avoids your eye. If a man
were made of gutta-percha, his heart would quail at such a moment. But
when the word is out, the worst is over; and a fellow with any good
humour at all may pass through a perfect hail of witty criticism, every
bare place on his soul hit to the quick with a shrewd missile, and
reappear, as if after a dive, tingling with a fine moral reaction, and
ready, with a shrinking readiness, one-third loath, for a repetition of
the discipline.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account