The Works of Robert Louis Stevenson - Swanston Edition, Vol. 15 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 15Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 15
Stevenson, Robert Louis
English literature -- 19th century
BRODIE. Changed? Why, the world's a different colour! It was night, and
now it's broad day, and I trust myself again. You must wait, dear, wait,
and I must work and work; and before the week is out, as sure as God
sees me, I'll have made you happy. O you may think me broken, hounds,
but the Deacon's not the man to be run down; trust him, he shall turn a
corner yet, and leave you snarling! And you, Poll, you. I've done
nothing for you yet; but, please God, I'll make your life a life of
gold; and wherever I am, I'll have a part in your happiness, and you'll
know it, by heaven! and bless me.
MARY. O Willie, look at him; I think he hears you, and is trying to be
glad with us.
OLD BRODIE. My son--Deacon--better man than I was.
BRODIE. O, for God's sake, hear him!
MARY. He is quite happy, Will, and so am I ... so am I.
BRODIE. Hear me, Mary. This is a big moment in our two lives. I swear to
you by the father here between us that it shall not be fault of mine if
this thing fails; if this ship founders you have set your hopes in. I
swear it by our father; I swear it by God's judgments.
MARY. I want no oaths, Will.
BRODIE. No, but I do. And prayers, Mary, prayers. Pray night and day
upon your knees. I must move mountains.
OLD BRODIE. A wise son maketh--maketh----
BRODIE. A glad father? And does your son, the Deacon, make you glad? O
heaven of heavens, if I were a good man!
END OF THE SECOND ACT
ACT III
TABLEAU V
KING'S EVIDENCE
_The Stage represents a public place in Edinburgh_
SCENE I
JEAN, SMITH, AND MOORE
_They loiter in L., and stand looking about as for somebody not there.
SMITH is hat in hand to JEAN; MOORE as usual_
MOORE. Wot did I tell you? Is he 'ere or ain't he? Now then. Slink by
name and Slink by nature, that's wot's the matter with him.
JEAN. He'll no' be lang; he's regular enough, if that was a'.
MOORE. I'd regular him; I'd break his back.
SMITH. Badger, you brute, you hang on to the lessons of your
dancing-master. None but the genteel deserves the fair; does they,
Duchess?
MOORE. O rot! Did I insult the blowen? Wot's the matter with me is Slink
Ainslie.
SMITH. All right, old Crossed-in-love. Give him forty winks, and he'll
turn up as fresh as clean sawdust and as respectable as a new Bible.
MOORE. That's right enough; but I ain't a-going to stand here all day
for him. I'm for a drop of something short, I am. You tell him I showed
you that (_showing his doubled fist_). That's wot's the matter with him.
(_He lurches out, R._)
SCENE II
_SMITH and JEAN, to whom HUNT and afterwards MOORE_
SMITH (_critically_). No, Duchess, he has not good manners.
JEAN. Ay, he's an impident man.
SMITH. So he is, Jean; and for the matter of that he ain't the only one.
JEAN. Geordie, I want nae mair o' your nonsense, mind.
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