The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20
Stevenson, Robert Louis
French -- England -- Fiction; Prisoners of war -- Fiction
merchandise, when I observed her handkerchief to escape from her hands
and fall to the ground; the next moment the wind had taken it up and
carried it within my reach. I was on foot at once: I had forgot my
mustard-coloured clothes, I had forgot the private soldier and his
salute. Bowing deeply, I offered her the slip of cambric.
"Madam," said I, "your handkerchief. The wind brought it me."
I met her eyes fully.
"I thank you, sir," said she.
"The wind brought it me," I repeated. "May I not take it for an omen?
You have an English proverb, 'It's an ill wind that blows nobody good.'"
"Well," she said, with a smile, "'One good turn deserves another.' I
will see what you have."
She followed me to where my wares were spread out under lee of a piece
of cannon.
"Alas, mademoiselle!" said I, "I am no very perfect craftsman. This is
supposed to be a house, and you see the chimneys are awry. You may call
this a box if you are very indulgent; but see where my tool slipped!
Yes, I am afraid you may go from one to another, and find a flaw in
everything. _Failures for Sale_ should be on my signboard. I do not keep
a shop; I keep a Humorous Museum." I cast a smiling glance about my
display, and then at her, and instantly became grave. "Strange, is it
not," I added, "that a grown man and a soldier should be engaged upon
such trash, and a sad heart produce anything so funny to look at?"
An unpleasant voice summoned her at this moment by the name of Flora,
and she made a hasty purchase and rejoined her party.
A few days after she came again. But I must first tell you how she came
to be so frequent. Her aunt was one of those terrible British old maids
of which the world has heard much; and having nothing whatever to do,
and a word or two of French, she had taken what she called an _interest
in the French prisoners_. A big, bustling, bold old lady, she flounced
about our market-place with insufferable airs of patronage and
condescension. She bought, indeed, with liberality, but her manner of
studying us through a quizzing-glass, and playing cicerone to her
followers, acquitted us of any gratitude. She had a tail behind her of
heavy, obsequious old gentlemen, or dull, giggling misses, to whom she
appeared to be an oracle. "This one can really carve prettily: is he not
a quiz with his big whiskers?" she would say. "And this one," indicating
myself with her gold eye-glass, "is, I assure you, quite an oddity." The
oddity, you may be certain, ground his teeth. She had a way of standing
in our midst, nodding around, and addressing us in what she imagined to
be French: "_Bienne, hommes! ca va bienne_?" I took the freedom to reply
in the same lingo: "_Bienne, femme! ca va couci-couci tout d'meme, la
bourgeoise_!" And at that, when we had all laughed, with a little more
heartiness than was entirely civil, "I told you he was quite an oddity!"
says she in triumph. Needless to say, these passages were before I had
remarked the niece.
Public-domain text, read in full here on John Shaqi.
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